2018
DOI: 10.1080/19443927.2018.1462252
|View full text |Cite
|
Sign up to set email alerts
|

Immersive awareness

Abstract: This paper explores an approach to training for immersive theatre performance which addresses the need for an expanded and multi-focal awareness. Drawing on The Movements from Grotowski's Theatre of Sources period, Núñez's training process for El Ensueño de los Árboles (2017) is discussed in terms of meditation-in-movement and deconditioning of perception. This training is considered as a training in the capacity for immersion.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2023
2023
2024
2024

Publication Types

Select...
3

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(1 citation statement)
references
References 5 publications
0
1
0
Order By: Relevance
“…Thus we suggest that mindfulness practices and acting practices use a similar mechanism to bring awareness to the body and environment and therefore to reach and intuitive cognitive state. Therefore, we hypothesize that practiced meditators and mindfulness experts may be better at entering the cognitive state of intuition while acting (see also Middleton, 2017; Middleton & Núñez, 2018).…”
Section: Acting Intuitionmentioning
confidence: 99%
“…Thus we suggest that mindfulness practices and acting practices use a similar mechanism to bring awareness to the body and environment and therefore to reach and intuitive cognitive state. Therefore, we hypothesize that practiced meditators and mindfulness experts may be better at entering the cognitive state of intuition while acting (see also Middleton, 2017; Middleton & Núñez, 2018).…”
Section: Acting Intuitionmentioning
confidence: 99%