“…As a first contribution, the framework summarised in Table 1 articulates that performative accounting can be (and has been) understood in different ways: as an intended destination of an act of calculation (Boedker et al, 2020); as a journey of an act of calculation, a journey without destination (Busco and Quattrone, 2018a;Mouritsen, 2015, 2017); as a self-fulfilling prophecy mechanism inherent in a discourse or frame (Ruff, 2021;Ezzamel, 2009;Baker and Modell, 2019;Power, 2021); as an overflowing frame (Themsen and Skaerbaek, 2018;Faulconbridge and Muzio, 2021); as a controlled relational agency of actors as for example a ranking (McLaren and Appleyard, 2020) or inscriptions (Dambrin and Robson, 2011); as a mediator (Vosselman, 2014;Mouritsen and Kreiner, 2016;Minnaar et al, 2017;Van Erp et al, 2019); and as an exclusionary practice (Keevers et al, 2012;Orlikowski and Scott, 2014). Each of these conceptions has merit and deserves to be further substantiated.…”