“…This covers a huge range of design considerations, from utilising the substituting senses’ ability to discriminate and categorise information (e.g., utilising the principles of spatialised hearing—Blauert, 1997, or how “auditory objects” are perceived from an audio stream—Bregman, 1994), a consideration of users’ differing abilities (e.g., early-blind have impaired vertical hearing localisation—Lewald, 2002; Zwiers, Van Opstal, & Cruysberg, 2001; but superior tactile acuity, discrimination of auditory pitch, loudness, and horizontal localisation cues—Fieger, Röder, Teder-Sälejärvi, Hillyard, & Neville, 2006; Goldreich & Kanics, 2003; Gougoux et al., 2004; Kolarik, Cirstea, & Pardhan, 2013; Norman & Bartholomew, 2011; Röder et al., 1999; Wan, Wood, Reutens, & Wilson, 2010), and when appropriate, taking advantage of the users’ multisensory processing biases (e.g., cross-modal correspondences—Deroy, Fasiello, Hayward, & Auvray, 2016; Hamilton-Fletcher et al., 2018; Hamilton-Fletcher, Witzel, Reby, & Ward, 2017; Hamilton-Fletcher, Wright, & Ward, 2016). Beyond this, many other factors remain to assess, such as selecting task-appropriate information; appropriate spatial, temporal, and colour resolutions; avoiding sensory and attentional overloading; training and usability in daily life; and finally, changes in perception, externalisation, and qualia (Auvray, Hanneton, & O'Regan, 2007; Bertram & Stafford, 2016; Brown & Proulx, 2016; Brown, Simpson, & Proulx, 2014, 2015; Hamilton-Fletcher & Ward, 2013; Hartcher-O’Brien & Auvray, 2014; Kristjánsson et al., 2016; Ortiz et al., 2011; Ward & Meijer, 2010).…”