Dissent, in its distinctive contribution to democratic practice, neither reduces to protest nor advances toward consensus. It is a double-sided discourse with both a solid footing in public culture and a sharp edge for cutting through political orthodoxies. Rhetorical invention is its dynamic. Dissenters must maneuver, like mythical tricksters, to sustain the vitality of democracy. The viability of their democratic interventions depends on the invention of legitimizing gestures. The topos of complementary differences-a pivotal term for articulating points of interdependency between dissenters and the broader public-illustrates the kind of inventive resource to which the field could productively turn its attention.Dissent is a key word in the vocabulary of a democratic people. A healthy democracy encourages the rhetorical act of dissent as a right of free speech and an antidote to political repression. Dissent is the balancing point between stability and change, cleavage and consensus, politics and revolution, life and decay. It should be tolerated, not censured by authorities, punished by law, or otherwise suppressed. Democracy cannot be true to the principle of self-governance when dissent is stifled, and public opinion is manipulated by ruling elites. When dissent is suppressed, especially in times of crisis, democracy itself is lost and the people are turned against themselves. No subject could be more salient to rhetorical scholarship. Stephen Hartnett's study of debates in antebellum America over issues of race, slavery, manifest destiny, and empire explores the ways in which cultural fictions facilitated and complicated the practice of democratic dissent. 1 Dale Smith investigates poetry as a rhetorical vehicle of dissent for shaping public consciousness. 2 John Bowers and his coauthors examine dissent as a rhetoric of agitation and control.