2018
DOI: 10.1140/epjp/i2018-12225-5
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In situ investigation by X-ray fluorescence spectroscopy on Pian di Civita Etruscan lituus from the “monumental complex” of Tarquinia, Italy

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Cited by 7 publications
(3 citation statements)
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“…Therefore, in this case, a probable brass master alloy was also used, combined with scrap bronze, without the addition of lead, to produce the piece. Clearly, due to the presence of a thin surface patina, a quantitative analysis is not possible, but a comparison between the different examined objects and the hypothesis on the original alloys used for the production of the pieces is allowed only in qualitative terms [ 11 , 13 , 15 ].…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Therefore, in this case, a probable brass master alloy was also used, combined with scrap bronze, without the addition of lead, to produce the piece. Clearly, due to the presence of a thin surface patina, a quantitative analysis is not possible, but a comparison between the different examined objects and the hypothesis on the original alloys used for the production of the pieces is allowed only in qualitative terms [ 11 , 13 , 15 ].…”
Section: Discussionmentioning
confidence: 99%
“…µXRF is certainly a valuable technique for the characterization of metal alloys, and remains in archaeological contests mainly because it is a non-invasive and non-destructive technique [4][5][6][7][8][9]. In fact, it provides useful information about alloy composition without the necessity of sampling, a step that is often not allowed for metal objects on display in museums [10][11][12][13]. Moreover, the mapping modality can provide knowledge of the whole composition of the surface layer, and can also afford information on the traces of possible surface decorations, even if corrosion patterns must be taken into account [14][15][16][17][18][19].…”
Section: Introductionmentioning
confidence: 99%
“…In conservation science and art restoration, non-destructive testing (NDT) techniques have become widely applied due to the necessity of investigating cultural heritage objects, which are fragile, irreplaceable and sometimes impossible to analyze with invasive or destructive methods [1][2]. A valid inspection approach for painting analysis relies on the integration of data collected from different imaging techniques, combining relative outputs through specific digital imaging processing tools.…”
Section: Introductionmentioning
confidence: 99%