2008
DOI: 10.1016/j.compind.2008.03.004
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Incorporating free-form features in aesthetic and engineering product design: State-of-the-art report

Abstract: International audienceThe use of free-form shapes has become mainstream to design complex products that have to fulfil engineering requirements as well as aesthetic criteria. Even if today’s CAD systems can easily represent free-form shapes by means of NURBS surfaces, their definition and modification still require a deep knowledge and a great skill in the manipulation of the underlying mathematical models. The implemented free-form shapes design operators are time consuming and do not enable fast modification… Show more

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Cited by 46 publications
(27 citation statements)
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“…; consequently, features are intended as complex high level entities that allow a faster creation and modification of the geometric model. In literature, it is possible to find several studies focusing on the user interactions with shape product through free-form features [12]; there are various meaningful proposal for classification of free-form features [2][7] [16], and several interesting works [13][18] dealing with the shape modification by features but they are hardly taking into account aesthetic information; only few consider aspects, such as brand character or emotional feeling but are very peculiar to specific products and not generally applicable. Defining a strict link between geometric characteristics and aesthetic features is not immediate due to the multitude of the possible shapes and to the fuzziness of the concept of aesthetics.…”
Section: Semantic Evaluation and Deformation Of Curves Based On Aesthmentioning
confidence: 99%
“…; consequently, features are intended as complex high level entities that allow a faster creation and modification of the geometric model. In literature, it is possible to find several studies focusing on the user interactions with shape product through free-form features [12]; there are various meaningful proposal for classification of free-form features [2][7] [16], and several interesting works [13][18] dealing with the shape modification by features but they are hardly taking into account aesthetic information; only few consider aspects, such as brand character or emotional feeling but are very peculiar to specific products and not generally applicable. Defining a strict link between geometric characteristics and aesthetic features is not immediate due to the multitude of the possible shapes and to the fuzziness of the concept of aesthetics.…”
Section: Semantic Evaluation and Deformation Of Curves Based On Aesthmentioning
confidence: 99%
“…Commercial surface modelling tools are time-consuming and do not enable fast modifications for freeform surfaces, and feature technology is increasingly used to improve this [20]. In typical solid modelling methods, features are defined by a composition of simple geometric primitives like planes and cylinders which can be modified through parameters like length or width.…”
Section: Feature Technology In Freeform Surface Manufacturingmentioning
confidence: 99%
“…They reflect the application domain needs and characteristics. Considering the aesthetic and engineering design of products, four main categories of criteria have been identified [37]:…”
Section: Free-form Features -A Promising Way To the Modeling Of Free-mentioning
confidence: 99%
“…To provide a product description in terms of the various PDP activities, feature recognition strategies have been developed [46,31,28], and are mandatory when evolving from one process to another in a PDP because each process or task defines a specific context and often requires specific features. To carry FIGURE 1.12: Features classification based on the concept of level of control [37].…”
Section: Free-form Features -A Promising Way To the Modeling Of Free-mentioning
confidence: 99%