“…The outer circle, namely circle b, can be divided into 16 code areas, engraving the 5th~19th bit of the traditional code track, and the center angle of each code area is 22.5°. Area 0°~22.5° is the 1st code area, engraving the 19th bit of the traditional code track, engraving 2 13 light-passing strips in the 22.5° circle range, called A19; 22.5°~45° is the 2nd code area, engraving the 18th bit of the traditional code track, engraving 2 12 light-passing strips in the 22.5° circle range, called A18; 45°~67.5° is the 3rd code area, engraving the 17th bit of the traditional code track, engraving 2 11 light-passing strips in the 22.5° circle range, called A17; 67.5°~90° is the 4th code area, engraving the 16th bit of the traditional code track, engraving 2 10 light-passing strips in the 22.5° circle range, called A16; 90°~112.5° is the 5th code area, engraving the 15th bit of the traditional code track, engraving 2 9 lightpassing strips in the 22.5° circle range, called A15; 112.5°~135° is the 6th code area, engraving the 14th bit of the traditional code track, engraving 2 8 light-passing strips in the 22.5° circle range, called A14; 135°~157.5° is the 7th code area, engraving the 13th bit of the traditional code track, engraving 2 7 light-passing strips in the 22.5° circle range, called A13; is the 5th code area, engraving the 15th bit of the traditional code track, engraving 2 9 light-passing strips in the 22.5 • circle range, called A 15 ; 112.5 • ~135 • is the 6th code area, engraving the 14th bit of the traditional code track, engraving 2 8 light-passing strips in the 22.5 • circle range, called A 14 ; 135 • ~157.5 • is the 7th code area, engraving the 13th bit of the traditional code track, engraving 2 7 light-passing strips in the 22.5 • circle range, called A 13 ; 157.5 • ~180 • is the 8th code area, engraving the 12th bit of the traditional code track, engraving 2 6 light-passing strips in the 22.5 • circle range, called A 12 ; 180 • ~202.5 • is the 9th code area, engraving the 11th bit of the traditional code track, engraving 2 5 From the distribution of code tracks, we can easily see that:…”