2015
DOI: 10.1366/14-07502
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Independent Component Analysis-Based Algorithm for Automatic Identification of Raman Spectra Applied to Artistic Pigments and Pigment Mixtures

Abstract: A new method has been developed to automatically identify Raman spectra, whether they correspond to single- or multicomponent spectra. The method requires no user input or judgment. There are thus no parameters to be tweaked. Furthermore, it provides a reliability factor on the resulting identification, with the aim of becoming a useful support tool for the analyst in the decision-making process. The method relies on the multivariate techniques of principal component analysis (PCA) and independent component an… Show more

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Cited by 4 publications
(3 citation statements)
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“…Required by the integrity of the invaluable and non-renewable artworks, numerous efforts have been undertaken to develop in situ noninvasive measuring tools and effective analytical methodologies that can identify the chemical composition of the mineral pigments without any contact with wall paintings. [1][2][3] Visible reflectance spectroscopy, due to the portability of its acquisition device and safety to artworks, has drawn increasing attention in recent years in the field of pigment composition identification related to artworks. [4][5][6] In order to investigate the color change of artworks induced by the environment, visible reflectance spectroscopy was introduced in artworks protection by the National Gallery in the late 1970s.…”
Section: Introductionmentioning
confidence: 99%
“…Required by the integrity of the invaluable and non-renewable artworks, numerous efforts have been undertaken to develop in situ noninvasive measuring tools and effective analytical methodologies that can identify the chemical composition of the mineral pigments without any contact with wall paintings. [1][2][3] Visible reflectance spectroscopy, due to the portability of its acquisition device and safety to artworks, has drawn increasing attention in recent years in the field of pigment composition identification related to artworks. [4][5][6] In order to investigate the color change of artworks induced by the environment, visible reflectance spectroscopy was introduced in artworks protection by the National Gallery in the late 1970s.…”
Section: Introductionmentioning
confidence: 99%
“…The authors pointed out that band distortion and fluorescence could negatively affect the results of identification of mixtures and that the results of identification and the reliability factor are intended to guide the analyst in spectral interpretation. González‐Vidal et al also proposed a more advanced version of automatic identification of pigments in mixtures 24 that did not rely on the operator's input and that provided a confidence factor to guide the decision‐making process. The pre‐processing required baseline correction, calibration and interpolation of the x ‐axis, and a min‐max normalization, the latter to improve reproducibility across instruments while maintaining peak intensity ratios.…”
Section: Colouring Materialsmentioning
confidence: 99%
“…For example, an ICA-based method was able to differentiate between single-and multi-component mixture spectra without prior knowledge of the analyzed sample in an automated manner. The method has been applied to artistic pigment identification [44].…”
Section: Spectroscopymentioning
confidence: 99%