Indigenous consciousness and life interconnections: an ecofeminist study of Tanure Ojaide’s Songs of Myself and Ebi Yeibo’s A Song for Tomorrow

Abstract

In contemporary Nigerian literature, ecological writings are dominated by the literature of the Nigerian Niger Delta. The literature is popularly critiqued from a postcolonial perspective of environmental injustice and economic marginalization of the people. This article engages Ojaide’s Songs of Myself and Yeibo’s A Song for Tomorrow to evaluate the relationship between the environment and its inhabitants from a gender perspective. It investigates patriarchy and capitalism as ideologies of human self-sufficiency and male superiority that encourage environmental exploitation of the textual Niger Delta. My investigation explores images of ecological circumstances bedeviling the environment and its occupants with a particular focus on women. Following Gaard’s integral ecofeminism, the study takes a post-humanist approach to demonstrate life interconnectedness in the face of oil pollution. My argument is that the ecological proximity of the pristine Niger Delta revitalizes the environment and envisions ecological sustainability through an Indigenous consciousness of motherhood as the centrality of life.