Reviews America, culminating in the creation of the Panama Canal many years later. It is this political and social climate of military action, trade, and cultural mixing, that forms the backdrop to Velásquez Runk's study. Chapter 3 focuses on indigenous cosmologies/ ontologies, which revolve around local riverways, which are used for social exchanges, trade, and are the home to local spirits. Images of riverine wildlife decorate local basketry and carvings, reinforcing the importance of these landscapes. In Wounaan culture, landscapes are marked by their own topography of spirits: they inhabit different ecosystems but also organic and inorganic objects, and can affect those who come in contact with them both negatively and positively. The result of this worldview is a charged landscape. Where outsiders might view an empty, silent forest, the Wounaan view the same space as teeming with spirits. Chapters 4 and 5 focus on forest use and craft traditions. Many indigenous carvings are made of Cocobolo (Dalbergia sp.), a tropical rosewood that produces heavy, hard wood in multiple colors. Artisans primarily use roots and branches from fallen trees, preserving the living forests where possible. In the past artisans mostly created domestic objects (e.g., tools and utensils) but have shifted to pieces that might appeal to tourists (e.g., animal sculptures) in recent years. The Wounaan are also known for their