Influence of the bell profile of the trombone on sound reflection and radiation

Campbell, D. Murray; Myers, Arnold; Chick, John

doi:10.1121/1.4806438

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“…Trombone players these days can choose to perform on instruments produced by a large number of manufacturers, built of various materials and with varying physical dimensions, both of which influence the sound produced by the instrument (Pyle, 1981; Ayers et al, 1985; Carral and Campbell, 2002; Campbell et al, 2013 among others). For this reason, we asked all participants to perform on the same plastic trombone (‘pBone’ - Warwick Music, Ltd., United Kingdom) and mouthpiece (6 1/2 AL by Arnold’s and Son’s, Wiesbaden, Germany); the first English participant performed on his own ‘pBone’ using his own larger mouthpiece.…”

Section: Methodsmentioning

confidence: 99%

Native Language Influence on Brass Instrument Performance: An Application of Generalized Additive Mixed Models (GAMMs) to Midsagittal Ultrasound Images of the Tongue

2019

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This paper presents the findings of an ultrasound study of 10 New Zealand English and 10 Tongan-speaking trombone players, to determine whether there is an influence of native language speech production on trombone performance. Trombone players’ midsagittal tongue shapes were recorded while reading wordlists and during sustained note productions, and tongue surface contours traced. After normalizing to account for differences in vocal tract shape and ultrasound transducer orientation, we used generalized additive mixed models (GAMMs) to estimate average tongue surface shapes used by the players from the two language groups when producing notes at different pitches and intensities, and during the production of the monophthongs in their native languages. The average midsagittal tongue contours predicted by our models show a statistically robust difference at the back of the tongue distinguishing the two groups, where the New Zealand English players display an overall more retracted tongue position; however, tongue shape during playing does not directly map onto vowel tongue shapes as prescribed by the pedagogical literature. While the New Zealand English-speaking participants employed a playing tongue shape approximating schwa and the vowel used in the word ‘lot,’ the Tongan participants used a tongue shape loosely patterning with the back vowels /o/ and /u/. We argue that these findings represent evidence for native language influence on brass instrument performance; however, this influence seems to be secondary to more basic constraints of brass playing related to airflow requirements and acoustical considerations, with the vocal tract configurations observed across both groups satisfying these conditions in different ways. Our findings furthermore provide evidence for the functional independence of various sections of the tongue and indicate that speech production, itself an acquired motor skill, can influence another skilled behavior via motor memory of vocal tract gestures forming the basis of local optimization processes to arrive at a suitable tongue shape for sustained note production.

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Section: Methodsmentioning

confidence: 99%