Transform Techniques in Chemistry 1978
DOI: 10.1007/978-1-4684-2403-4_6
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Infrared Fourier Transform Spectrometry: Applications to Analytical Chemistry

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Cited by 2 publications
(4 citation statements)
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“…The light then reaches a pellicle beamsplitter made from nitrocellulose membrane (Thorlabs BP145B3) designed to minimize multiple reflections. This is coated for a 45:55 (reflectance:transmission) split ratio in a design range of [1,2] μm, but we find this also has broad transmission and reflection beyond this spectral range. The split light then reaches either a movable or fixed mirror made from protected aluminium (Thorlabs PF10-03-G01), which are situated at the end of the interferometer arms that are approximately 7.6 cm long.…”
Section: Methodsmentioning
confidence: 82%
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“…The light then reaches a pellicle beamsplitter made from nitrocellulose membrane (Thorlabs BP145B3) designed to minimize multiple reflections. This is coated for a 45:55 (reflectance:transmission) split ratio in a design range of [1,2] μm, but we find this also has broad transmission and reflection beyond this spectral range. The split light then reaches either a movable or fixed mirror made from protected aluminium (Thorlabs PF10-03-G01), which are situated at the end of the interferometer arms that are approximately 7.6 cm long.…”
Section: Methodsmentioning
confidence: 82%
“…Our initial FTS setup paves the way to interesting interdisciplinary applications of multi-terahertz spectrometers in dark matter physics and beyond. where 𝑘 𝑖 = (𝑖 + 1 2 )Δ𝑘 and 𝑤 𝑖 are weights defined by…”
Section: Summary and Future Directionsmentioning
confidence: 99%
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“…Η ίδια θεά εμφανίζεται να προστατεύει την αγνότητα και καθαρότητα των ηρώων, καθώς η τη μοίρα των ηρώων στα ελληνικά μυθιστορήματα906 . Παρόλα αυτά, το πάθος για την εξύμνηση της θεάς που διατρέχει ολόκληρο το ενδέκατο βιβλίο, το οποίο είναι αφιερωμένο σε αυτήν ως θεά σώτειρα (dea sospitatrix), επιτείνει αισθητά τις διαφορές με τις ελληνικές ιστορίες907 .Σε ένα άλλο επίπεδο, η επέμβασή της ως dea ex machina, που δίνει λύση στο «δράμα» του Λούκιου, την παραλληλίζει με τις θεϊκές μορφές των τραγωδιών και ιδιαίτερα των ευριπίδειων κωμικοτραγικών έργων. Σε αυτά η εμφάνιση του «από μηχανής θεού» στο τέλος τους εξηγεί αναπάντεχα στους θεατές πως όσα συνέβησαν ήταν για το καλό των ηρώων.…”
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