2019
DOI: 10.7203/creativity.2.13628
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Innovación educativa a través de la realidad virtual y el paisaje sonoro

Abstract: Se presentan los resultados de una investigación dirigida a la formación del profesorado en el marco de la Red de innovación educativa L’Hort/Ieducarts2.0 (UV-SFPIE_GER17-588805), de la Universitat de València, cuya finalidad es aproximar al alumnado al estudio del paisaje sonoro utilizando la realidad virtual. Mediante la creación y recreación de paisajes virtuales se conecta el medio físico con la percepción sensorial y emocional integrando las áreas científicas y musicales y fomentando la creatividad y la a… Show more

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Cited by 7 publications
(4 citation statements)
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“…Many students consider that outdoor classrooms help wellbeing and class participation (Kuo et al, 2018;Largo-Wight et al, 2018), whereas lack of interaction with the environment can reduce positive attitudes and prevent emotional perceptions related to health and welfare (Soga and Gaston, 2016). Learning in a garden can be approached from a sensorial aspect to get to know the elements in a landscape and the emotions they transmit (Botella et al, 2018). The easily perceptible set of components in the ecosystem such as size, proportion colors, smells, and sounds is known as the fenosystem (Costa, 2013).…”
Section: Educate In Favor Of the Environmentmentioning
confidence: 99%
“…Many students consider that outdoor classrooms help wellbeing and class participation (Kuo et al, 2018;Largo-Wight et al, 2018), whereas lack of interaction with the environment can reduce positive attitudes and prevent emotional perceptions related to health and welfare (Soga and Gaston, 2016). Learning in a garden can be approached from a sensorial aspect to get to know the elements in a landscape and the emotions they transmit (Botella et al, 2018). The easily perceptible set of components in the ecosystem such as size, proportion colors, smells, and sounds is known as the fenosystem (Costa, 2013).…”
Section: Educate In Favor Of the Environmentmentioning
confidence: 99%
“…Por un lado, siguen vigentes los estudios relacionados con el análisis del sonido como fenómeno eminentemente físico (Martínez Suárez & Moreno Jiménez, 2013), el sonido como fenómeno perceptual (Liu & Kang, 2016;Maristany, 2016;Zigor, 2017) y otros enfoques relacionados con la ecología urbana, concibiendo fenómenos como la contaminación acústica (Cuervo, 2015;Ríos & Osses Bustingorry, 2015;Berrospi-Noria et al, 2019). No obstante, se determina la presencia fuerte de estudios que abogan por la interdisciplinariedad (Llorca, 2017;Rodríguez Lorenzo, 2017;Grijalba Obando & Paül-Carril , 2018;Quintero & Recuero López, 2018;Petit de Murat & Potenza, 2019), dentro de los cuales se destacan elementos socioculturales del sonido, como la música urbana y pregones (Alvarado Angulo, 2015;Secco, 2017), la identidad (Temtem, 2016;Salvini, 2017;Zarrin, 2017;Jaramillo Arango, 2018;Louzao Villar, 2018) y, en menor medida, la inclusión de dicho campo en el ámbito educativo (Benítez Escudero, 2015;Botella Nicolás & Hurtado Soler, 2016;Botella Nicolás et al, 2018).…”
Section: Resultados Paisaje Sonorounclassified
“…The technological advances of this first quarter of the century have meant that pedagogical innovation in music education has been led by ICT integration (Lorenzo-Quiles et al, 2015). Researchers have followed this trend, and scientific production has been abundant in this area (Botella-Nicolás et al, 2019; García-Gil & Cremades-Andreu, 2019; Parra & Gutiérrez, 2017) and it is somewhat uncommon to find forms of innovation with less interest in technology (Minors et al, 2017; Vass, 2019). In this curricular integration of ICT with music education, teachers are considering new methodological models regarding how and what to teach, new ways of grouping students, and the roles that both must assume in order to orient themselves toward new ways of making and experiencing music where technologies become a tool for musical exploration (Finney & Burnard, 2009; Martin, 2012; Savage, 2007).…”
Section: Discussionmentioning
confidence: 99%