Intangible Cultural Heritage: The Living Culture of Peoples

Lenzerini, Federico

doi:10.1093/ejil/chr006

Cited by 316 publications

(173 citation statements)

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“…An emergent mixed method approach was used, including participant observation, in-depth interviews and visual participatory methods. Photographs taken by research participants and two related art-science collaborations were used to explore local understandings of the meaning of 'conservation' and to make visible a representation of the intangible cultural heritage (see Lenzerini 2011) in Barra's marine environment (see Hurrel and Brennan 2013;MacKinnon and Brennan 2012). A total of 61 respondents were engaged with (49 local and 12 non-local), 59 informal conversations were documented about the mSAC conflict and life on Barra generally and 27 interviews (16 unstructured and 11 semi-structured) were conducted.…”

Section: Methods Appliedmentioning

confidence: 99%

Societal, Policy and Academic ‘Visions’ for the Future of the Marine Environment and Its Management, Exemplified in the Western and Northern Isles of Scotland

et al. 2017

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Abstract:Interactions between environmental and social change are complex and require deep insights into human perceptions, values, motivations and choices. Humanities disciplines can bring these insights to the study of marine social-ecological systems in the context of global environmental challenges. Such systems can be defined on a range of scales, but the cases most easily studied include those of small islands and their communities. This paper presents findings from three studies in the Western and Northern isles of Scotland, concentrating on some of the processes involved in social sustainability that contribute on the one hand to protecting what a community has, and on the other hand allowing a community to evolve so as to adapt to new conditions. It relates the several sorts of transformations involved, to the role and impact of external institutions such as those of governance of the natural environment, the energy market, and academic research, which together make up the environment of the transformation. By examining the world-views of different groups of actors, this paper illustrates that an understanding of the mental constructs underlying these world-views can help marine governance through integrating different ways of knowing. This paper identifies where it would be useful to employ a transdisciplinary 'translator' or a 'space' for dialogue in order to capture the diverse 'visions' and perceptions that these groups have in relation to management of the marine environment, where there are synergies and where more should to be done to negotiate between competing values and needs. It illustrates the practical contributions to operational policy that can emerge through challenging the dominant management discourses for the marine environment.

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Section: Methods Appliedmentioning

confidence: 99%

Societal, Policy and Academic ‘Visions’ for the Future of the Marine Environment and Its Management, Exemplified in the Western and Northern Isles of Scotland

et al. 2017

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“…Bu açıdan kültürel miras olarak ifade edilen dokunulabilir (insanların ürettiği araç gereçler, teknolojik ürünler ve yapılar) değerler somut miras, dokunulamayan (davranışlar, değerler ve kurallar) değerler ise soyut miras şeklinde iki grupta incelenmektedir. Somut ve soyut miras değerleriyle ilgili olarak insanların ürün ve hizmetleri doğrudan veya dolaylı olarak satın alması miras turizmi olgusunu ortaya çıkarmaktadır (Lenzerini, 2011;Gülcan, 2010;Yılmaz, Karaman ve Karaman, 2013;Fitri, Ahmad ve Ahmad, 2015).…”

Section: Li̇teratür İncelemesi̇unclassified

Kültürel Miras Alanları Üzerine Bir Meta Analizi: Safranbolu İlçesi Örneği

Ayaz¹,

Apak²,

Sünbül³

2018

tutad

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“…Uygarlıkların, birbirinden etkilenen yapılar olduğu düşünüldüğünde, kültürel çeşitlilik bu sürecin doğal sonucudur (Lenzerini, 2011). Miletlerin kendine özgü kültür unsurlarının oluşumunda kültürel miras ile sahip olunan birikimlerin önemli bir payı vardır (Oğuz, 2001).…”

Section: Kültür Miras Ve Kültürel Miras Kavramlarıunclassified

Kültürel Mi̇ras Oluşumunda Festi̇valleri̇n Yeri̇ Ve Önemi̇: Fethi̇ye Müzi̇k Köyü Üzeri̇ne Bi̇r Değerlendi̇rme

Atak¹

2017

jisr

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ÖzDüzenlendiği dönemi, içeriği, düzenlenme döngüsü, katılacak kişi sayısı, süresi önceden belirlenerek belirli bir program dahilinde düzenlenen, bilim, kültür, spor, eğlence, rekreasyon, din ve ekonomik faaliyetler gibi sebeplerle insanların bir araya geldiği etkinliklere festival denmektedir. Bütün sanat olaylarında olduğu gibi festivallerin de oluşumu dinsel nedenlere dayanır. Geçen zamanla birlikte festivallerin içeriği de etkileri de dönüşüm geçirmiştir. Sosyal, ekonomik ve kültürel hayatın önemli bir parçası haline gelmiş, düzenlendiği yörenin kültürel dokusunu yansıtan en önemli tanıtım araçlarından birine doğru evirilmiştir. Sosyal ve kültürel etkileşimin yanı sıra düzenlendiği bölgelerin ekonomik kalkınmalarına etkileri de bulunan bu aktiviteler, kültürel miras oluşumunun da önemli bileşenlerindendir. Bilindiği gibi kültürel miras daha önceki kuşaklar tarafından oluşturulmuş ve evrensel değerlere sahip olduğuna inanılan eserlere verilen genel bir isimdir. Festivaller de evrensel değerlerin oluşumunda ve nesilden nesle aktarılmasında yararlanılacak önemli etkinliklerdir.Çalışmanın konusu festivallerin önemine ve kültürel miras oluşumundaki etkilerine vurgu yapmaktır. Çalışmanın amacı ise mülakat ve doküman analizi yöntemiyle Fethiye Müzik Köyü'nde her yıl düzenlenen festivalin, kültürel miras oluşturma potansiyeline dikkat çekmek, farkındalık yaratmak, düzenlenen bu festivalin sosyal, kültürel ve ekonomik anlamda çekicilik unsuru olarak değerlendirilmesi için önerilerde bulunmaktır.Anahtar Kelimeler: Sanat, Festival, Turizm, Kültürel Miras, Kültür. AbstractA series of exhibitions and activities which are organized in a single program or periodically organized in a specific program, such as art, culture, science, economic activity, product, period or a particular theme, whose qualities, such as the period, place of construction, theme, number of participants, Festival is called. As in all artistic events, festivals are also based on religious causes. With the passage of time, the contents of the festivals as well as the influences have transformed. It has become an important part of social, economic and cultural life and has evolved from one of the most important promotional tools reflecting the cultural heritage of the region in which it is organized. These activities, which have social and cultural interaction as well as effects on the economic development of the regions where they are organized, are also important components of cultural heritage formation. As it is known, cultural heritage is a generic name given to works that were created by previous generations and believed to have universal values. Festivals are also important activities to be used in the formation of universal values and in transmission of generations. The theme of the work is to emphasize the importance of festivals and the effects of cultural heritage formation. The aim of the study is to make the festival organized every year in Fethiye Music Village with the method of interview and document analysis, to draw attention to create ...

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Intangible Cultural Heritage: The Living Culture of Peoples

Cited by 316 publications

References 0 publications

Societal, Policy and Academic ‘Visions’ for the Future of the Marine Environment and Its Management, Exemplified in the Western and Northern Isles of Scotland

Societal, Policy and Academic ‘Visions’ for the Future of the Marine Environment and Its Management, Exemplified in the Western and Northern Isles of Scotland

Kültürel Miras Alanları Üzerine Bir Meta Analizi: Safranbolu İlçesi Örneği

Kültürel Mi̇ras Oluşumunda Festi̇valleri̇n Yeri̇ Ve Önemi̇: Fethi̇ye Müzi̇k Köyü Üzeri̇ne Bi̇r Değerlendi̇rme

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