2020
DOI: 10.1016/j.neucom.2020.01.043
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Integration of an actor-critic model and generative adversarial networks for a Chinese calligraphy robot

Abstract: As a combination of robotic motion planning and Chinese calligraphy culture, robotic calligraphy plays a significant role in the inheritance and education of Chinese calligraphy culture. Most existing calligraphy robots focus on enabling the robots to learn writing through human participation, such as human-robot interactions and manually designed evaluation functions. However, because of the subjectivity of art aesthetics, these existing methods require a large amount of implementation work from human enginee… Show more

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Cited by 21 publications
(18 citation statements)
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References 35 publications
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“…Robotik özelinde OUS incelendiğinde, RL'de bulunan etken (agent) yapısının keşfi için OUS kullanılmıştır [13]. Ayrıca, Çince kaligrafi robotu oluşturulması sırasında OUS bir gürültü terimi olarak kullanılmıştır [14].…”
Section: Ddpg Algoritmasında Bulunan Ornstein-uhlenbeckunclassified
“…Robotik özelinde OUS incelendiğinde, RL'de bulunan etken (agent) yapısının keşfi için OUS kullanılmıştır [13]. Ayrıca, Çince kaligrafi robotu oluşturulması sırasında OUS bir gürültü terimi olarak kullanılmıştır [14].…”
Section: Ddpg Algoritmasında Bulunan Ornstein-uhlenbeckunclassified
“…Chao et al [20] proposed an arm robot that can draw Chinese calligraphy. Recently, Wu et al [21] have proposed its extended version. Their models are based on GAN and thus very similar to GAIL; however, their purpose is rather to realize a practical robotic system and not focused on the analysis of the learned rewards to understand the trends and characteristics of handwriting trajectories.…”
Section: B Reinforcement Learning For Handwritingmentioning
confidence: 99%
“…Most of the existing robotic writing systems do not have a realistic aesthetic evaluation mechanism to critically assess the writing performance [3]. Instead, several studies adopted the Fréchet inception distances (FID) or the restoring accuracy of an Autoencoder network to represent the aesthetic performance [4], [26], [27]. These methods well examined the writing results based on distribution, but often ignored the structural information of letters or numerals representing diversity.…”
Section: Introductionmentioning
confidence: 99%