2013 IEEE International Conference on Acoustics, Speech and Signal Processing 2013
DOI: 10.1109/icassp.2013.6637639
|View full text |Cite
|
Sign up to set email alerts
|

Interactive multimodal music transcription

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2015
2015
2018
2018

Publication Types

Select...
2
1
1

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(3 citation statements)
references
References 12 publications
0
3
0
Order By: Relevance
“…Under this premise some works have considered the use of onset information to address such issues. Examples of such works may be found in Marolt and Divjak (2002), which considered onset information for tackling the problem of tracking repeated notes, the work by Emiya, Badeau, and David (2008), in which onset information was used for segmenting the signal before the pitch estimation phase, the proposal by Iñesta and Pérez-Sancho (2013), which postprocessed the result of the MPE stage with the aim of correcting timing issues with onset information, or the system by Grosche et al (2012), which also considered onset information under an HMM framework. Note that, while scarce, some works as the one by Benetos and Dixon (2011) have considered both onset and offset estimation systems for tackling these timing issues.…”
Section: Background On Note Trackingmentioning
confidence: 99%
See 1 more Smart Citation
“…Under this premise some works have considered the use of onset information to address such issues. Examples of such works may be found in Marolt and Divjak (2002), which considered onset information for tackling the problem of tracking repeated notes, the work by Emiya, Badeau, and David (2008), in which onset information was used for segmenting the signal before the pitch estimation phase, the proposal by Iñesta and Pérez-Sancho (2013), which postprocessed the result of the MPE stage with the aim of correcting timing issues with onset information, or the system by Grosche et al (2012), which also considered onset information under an HMM framework. Note that, while scarce, some works as the one by Benetos and Dixon (2011) have considered both onset and offset estimation systems for tackling these timing issues.…”
Section: Background On Note Trackingmentioning
confidence: 99%
“…On the contrary, note tracking has not received that much attention despite its relevance in the overall success of the automatic music transcription task (Duan & Temperley, 2014). Note-level transcriptions are commonly obtained by binarizing the time-pitch representation and post-processing it with a set of minimum-length pruning processes for eliminating spurious detections and gap-filling stages for removing small gaps between consecutive pitches as, for instance, works by Benetos and Weyde (2015) or Iñesta and Pérez-Sancho (2013). Thus, our main criticism lies in the fact that note tracking strategies typically rely on hand-crafted rules.…”
Section: Introductionmentioning
confidence: 99%
“…Moreover, the interactive-predictive approach can be generalized to applications beyond IMT. The framework is applicable to the transcription of handwritten text documents (Toselli et al, 2007;Martín-Albo et al, 2013), ancient manuscripts (Granell et al, 2016), music (Inesta and Pérez-Sancho, 2013), layout detection (Quirós et al, 2017), parsing (Toselli et al, 2011), speech transcription , image retrieval (Segarra et al, 2011) or multimodal captioning (Peris and Casacuberta, 2019b).…”
Section: Multimodal Interactionmentioning
confidence: 99%