Intermedial Shakespeares on European Stages

Literature Review on Intermedial Studies: From Analogue to Digital

“…On the topic of intermedial adaptation from theater to television and cinema, we can mention Mancewicz [72], and Wyver [73]. The presence of cinema upon Intermedial Studies owes much to the collection of books by Edinburgh University Press entitled 'Edinburgh Studies in Film and Intermediality.'…”

Shakespeare, national memory, and tourist place: Gyula's Várszínház Festival

“…As Aneta Manciewicz writes, such technology 'allows the actors to combine the embodiment of a character with alienation from the role'. 71 The consequence of this kind of characterisation for the production's representation of place is that, like the Wooster performance, this scene shifted the recorded and the live actors 'out of their temporally situated bodies and toward the location where screen and stage met'. 72 In a final twist, the montage ended with Mátray edited again into the Norwegian-army scene from Kozintsev's film: staring grimly at the camera, he apparently had become Fortinbras, ready to seize power from a country destroyed by internal corruption.…”