International Contemporary Art Fairs in a ‘Globalized’ Art Market

Quemin, Alain

doi:10.1080/14616696.2013.767927

Cited by 45 publications

(32 citation statements)

References 14 publications

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“…Furthermore, as Quemin (2006Quemin ( , 2013 also noted, there is a strong continuity in the hierarchy of languages. Regarding the absolute number of translations, there are only 18 languages that, in 1 or more years, are translated more than 10 times.…”

Section: Translationsmentioning

confidence: 90%

“…On the other hand, I also find an increase in concentration and an increasingly dominant position for English, which suggests that publishers tend to copy each other's successful strategies. As Heilbron (1995) and Quemin (2013) suggest, the dominance of English (or, more generally, Anglo-American culture) does not necessarily go against greater overall cultural diversity, as is evident from the rise in the number of source languages. The increasing volume of translations out of English, however, causes the concentration to increase.…”

Section: Translation Studies 311mentioning

confidence: 92%

“…Quemin 2006Quemin , 2013. As such, increasing diversity can cooccur with an increasing dominance of one language when the "new" languages all have very small shares (Heilbron 1995).…”

mentioning

confidence: 97%

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Book translations and the autonomy of genre-subfields in the Dutch literary field, 1981–2009

Franssen

2015

Translation Studies

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This article sets out to understand the development of translations in the Dutch literary field between 1981 and 2009. The analysis shows that there is a minor increase in the relative share of translations, followed by a decline after 2003. As such, the rise of globalization does not straightforwardly transpose into an unlimited growth of translations. Moreover, while the concentration of translations rises, the diversity also increases as more and more languages are represented in translation. Comparing translations in four main genres, this analysis shows that translation flows differ across genres in line with the opposition between the small-scale and large-scale logic of cultural production. However, over time, translations in the four genre subfields develop relatively independently, which implies that these subfields also have an autonomous internal dynamic that influences translation flows.

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Section: Translationsmentioning

confidence: 90%

Section: Translation Studies 311mentioning

confidence: 92%

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Book translations and the autonomy of genre-subfields in the Dutch literary field, 1981–2009

Franssen

2015

Translation Studies

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“…Les foires artistiques sont un élément important du marché de l'art mondial (Quemin, 2013 ;Morgner, 2014). Ce sont des événements à la fois transnationaux et urbains qui réunissent des galeries et des collectionneurs d'oeuvres d'art durant une courte période de temps dans une même ville, pour voir une multitude d'oeuvres d'art provenant d'un grand nombre de pays.…”

Section: Participation Des Galeries Occidentales Et Asiatiques Aux Founclassified

La géographie du marché de l’art mondial en pleine évolution

Crane¹

2016

socsoc

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Le présent article examine la participation des artistes asiatiques au système d’art mondial que dominaient naguère les créateurs et les producteurs européens afin de déterminer si l’hégémonie occidentale est en déclin. Parmi les 500 artistes contemporains avec les montants de ventes aux enchères les plus élevés, 49 % étaient d’origine asiatique en 2011-2012, comparativement à 8 % en 2005. La nationalité des membres des comités de sélection des artistes influe énormément sur la sélection des artistes pour les biennales et les foires artistiques. La nationalité des artistes dont les oeuvres sont exposées dans les biennales et vendues aux enchères et dans les galeries dans le cadre de foires artistiques montre qu’il existe une forte « préférence nationale » pour les oeuvres produites au pays ou dans la région. Ainsi, le marché de l’art mondial est segmenté en différentes régions, entre l’Orient et l’Occident, chacune avec ses propres artistes et centres d’art d’importance.

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“…The few quantitative analyses that exist focus on particular cities (Velthius, 2013), individual artists (Buchholz, forthcoming), or a particular category of art-related events, for example fairs (Quemin, 2013). Our project relies on NLP techniques to solve the problems of data collection that have limited previous research endeavors.…”

Section: The Goals Of the Projectmentioning

confidence: 99%