“…Previous investigations of cue-weighting in vocal emotions either attenuated variations in individual acoustic features to observe how reducing the information provided by cues impairs accuracy (Gilbers et al, 2015;Luo et al, 2007) or attenuated variations in pairs of acoustic features to quantify listeners' abilities to make use of individual acoustic features providing potentially informative cues. Specifically, they provide preliminary evidence that when F0 information is missing, listeners' may be able to use intensity and/or speech rate cues to glean emotional meaning (e.g., Everhardt et al, 2020;Hegarty & Faulkner, 2013;Metcalfe, 2017), and that intensity cues may be more reliable than speech-rate cues in doing so (e.g., Marx et al, 2015;Peng et al, 2012). Based on these reports, we hypothesise that the accuracy with which vocal emotions are identified is reduced as potential cues, ordered from least to most impactful, are rendered uninformative, that is, intensity and speech-rate cues combined, then F0 cues alone, followed by F0 and intensity cues combined and, finally, F0 and speech-rate cues combined.…”