Interstitial film viewing: community exhibition in the twenty-first century

Ross, Miriam

doi:10.1080/10304312.2013.772108

Cited by 3 publications

(1 citation statement)

References 15 publications

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“…Stereoscopic 3D films, on the other hand, are both the object and the subject of perception as they appropriate the viewer into the media being viewed. So the viewers and the films manifest both perceptive and expressive functions (Ross, 2013a: 411, in Jones, 2015: 182). Stereoscopic 3D films engage viewers with a special kind of cinematic experience and, in the process, bring a new type of representational relationship of the space between the viewers’ attention and the S3D media itself (Ross, 2013b: 407).…”

Section: Conceptual Frameworkmentioning

confidence: 99%

Expanded stereoscopy: Alternative aesthetics for artistic expression in 3D films

Hattler

Cheung

2023

Convergence: The International Journal of Research into New Med

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3D cinema has been defined by a quest for increased realism and immersion and the recreation of realistic depth perception. However, instead of merely seeing stereo vision as a visual enhancement of 2D cinema, some contemporary moving image artists explore unique types of perceptual illusions and ambiguous perceptions in their stereoscopic films. Through the experimental stereoscopic films of Blake Williams and Kazuhiro Goshima, and interviews with the artists, this paper focuses on the artists’ motivations behind their works and their intended impacts on audiences. Drawing mainly on aesthetic, perceptual and technical perspectives, the paper examines how artists use experimental approaches to stereoscopic imaging and theorises the resulting aesthetics and perceptual forms for S3D films.

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Section: Conceptual Frameworkmentioning

confidence: 99%

Expanded stereoscopy: Alternative aesthetics for artistic expression in 3D films

Hattler

Cheung

2023

Convergence: The International Journal of Research into New Med

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Engaging Distractions: Regulating Second-Screen Use in the Theater

Hassoun¹

2016

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This article examines emerging industry discourses around multitasking and mobile phone use inside US movie theaters. By disciplining or encouraging certain second-screen practices, sectors of the American fi lm industry have developed contradictory strategies for governing spectators into proper forms of single- or multiscreen spectatorship. The article explores the historical appearance of these industry strategies, the competing modes of audience subjectivity they imagine, and the extent to which material audience practices correspond to them. In so doing, it also considers the tensions of regulating and conceptualizing audience attention, interactivity, and distraction in theatrical spaces.

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Resisting the Creative Economy on Liverpool’s North Shore: Art-Based Political Communication in Practice

Killick¹

2019

Westminster Papers in Communication and Culture

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Interstitial film viewing: community exhibition in the twenty-first century

Cited by 3 publications

References 15 publications

Expanded stereoscopy: Alternative aesthetics for artistic expression in 3D films

Expanded stereoscopy: Alternative aesthetics for artistic expression in 3D films

Engaging Distractions: Regulating Second-Screen Use in the Theater

Resisting the Creative Economy on Liverpool’s North Shore: Art-Based Political Communication in Practice

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