1990
DOI: 10.1080/00377996.1990.9957495
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Introduce Children to Problem Solving and Decision Making by Using Children's Literature

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Cited by 15 publications
(14 citation statements)
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“…Lesnik-Oberstein, 1998 20 Steadman & Palmer, 1997 1 Bettelheim, 1991 57 Ohler, 2006 22 Moyer, 2000 38 Cairney, 1984 58 Hunt, 2000 23 Banister & Ryan, 2001 39 Storr, 1986 59 Zeece PD, 2004 24 Riecken & Miller, 1990 40 Purves & Monson, 1984 60 Zipes, 1996 25 Batini & Giusti, 2008 41 Freud & Strachey, 1964 61 Boyd et al, 2011 26 Williams, 2000 42 Bernays, 1979 62 Hunt, 2006 27 Daniel, 2013 43 Heath et al, 2005 63 Winnicott, 1964 28 Brice, 2004 44 Wyatt, 2008 64 Nikolajeva, 1995 29 Brown, 2000 45 Piotrow & De Fossard, 2003 65 Zipes, 2013 30 Isbell et al, 2004 46 Albert, 2010 66 Kilpatrick et al,1994 31 Mokhtar et al, 2011 47 Reynolds et al, 2000 67 Guroian, 2002 32 Forgan, 2002 48 Lenkowsky, 1987 68 Zipes, 2002 33 Apol, 1998 49 Hoagland, 1972 69 Yenika-Agbaw, 1997 34 Zabel, 1991 50 Charon & Eric, 2017 70 Zeece, 1997 35 Ohler, 2013 51 Rudnytsky & Charon, 2008 71 Robin,...…”
Section: Pedagogic Dimension Didactic Dimension Therapeutic Dimensionmentioning
confidence: 99%
See 1 more Smart Citation
“…Lesnik-Oberstein, 1998 20 Steadman & Palmer, 1997 1 Bettelheim, 1991 57 Ohler, 2006 22 Moyer, 2000 38 Cairney, 1984 58 Hunt, 2000 23 Banister & Ryan, 2001 39 Storr, 1986 59 Zeece PD, 2004 24 Riecken & Miller, 1990 40 Purves & Monson, 1984 60 Zipes, 1996 25 Batini & Giusti, 2008 41 Freud & Strachey, 1964 61 Boyd et al, 2011 26 Williams, 2000 42 Bernays, 1979 62 Hunt, 2006 27 Daniel, 2013 43 Heath et al, 2005 63 Winnicott, 1964 28 Brice, 2004 44 Wyatt, 2008 64 Nikolajeva, 1995 29 Brown, 2000 45 Piotrow & De Fossard, 2003 65 Zipes, 2013 30 Isbell et al, 2004 46 Albert, 2010 66 Kilpatrick et al,1994 31 Mokhtar et al, 2011 47 Reynolds et al, 2000 67 Guroian, 2002 32 Forgan, 2002 48 Lenkowsky, 1987 68 Zipes, 2002 33 Apol, 1998 49 Hoagland, 1972 69 Yenika-Agbaw, 1997 34 Zabel, 1991 50 Charon & Eric, 2017 70 Zeece, 1997 35 Ohler, 2013 51 Rudnytsky & Charon, 2008 71 Robin,...…”
Section: Pedagogic Dimension Didactic Dimension Therapeutic Dimensionmentioning
confidence: 99%
“…20 Modern children's literature comprises short fairytales and fables, picture books, comics, cartoons, novels, nursery rhymes that can be potentially appreciated by most children. 21 In our search, we selected 17 studies concerning pedagogic dimension of children literature, 20,22-37 while 21 and 17 studies were chosen as addressing didactic 1,5,[38][39][40][41][42][43][44][45][46][47][48][49][50][51][52][53][54][55][56] and therapeutic dimensions, 6,7,[57][58][59][60][61][62][63][64][65][66][67][68][69][70][71] respectively (Table 1).…”
Section: Pedagogic Dimension Didactic Dimension Therapeutic Dimensionmentioning
confidence: 99%
“…McKinney and Jones (1998) in their remarks noted that books are of value. It has been suggested that books can be used to develop critical thinking skills (Holmes and Ammon, 1985;Brown, 1986;Lehman and Hayes, 1985;Mosher, 1986;Rieken and Miller, 1990Masalki, 2001and McKesson Health Solution, 2003. Kirsch, Jungeblut, Jenkins, and Koistad (1993) still on importance of books noted that if comic books are less available for children it explains class difference in literacy development.…”
Section: Discussionmentioning
confidence: 99%
“…In the same philosophy where softening any painful spikes with euphemistic tendencies also runs -parallel to the illustration-the narration of the text, since they often chose for death a number of poetic or metaphorical descriptions which, while they carry the same weight of information, they differ significantly in their emotional and experiential colouring [8]. As much as many disagreements are expressed with the number of lenient, softer expressions used to indicate death, in that they may not only cause confusion (e.g.…”
Section: The Colour Of Deathmentioning
confidence: 99%
“…Some authors choose bold, cheerful colors who, in combination with well-designed, rotund figures seek to exorcise with a visual euphemism the pain of death (see the Old Pig). Others prefer brown, earth tones, perhaps with clear connotations of burial customs and religious views of the return to Mother Earth (Melenios and his grandfather who passed away), while others resort to soft colors, creating what we might call a "mood book" where pain is not proclaimed but merely suggested [8]. When even the faint discretion of colors is accompanied by the use of watercolor, the images in the book, damp from the humidity of watercolors, refer directly to a sense of wetness created by tears shed (see The Wall).…”
Section: The Colour Of Deathmentioning
confidence: 99%