2018
DOI: 10.1093/jhc/fhy017
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Introducing the art of modern China: trends in exhibiting modern Chinese painting in Britain, c.1930–1980

Abstract: By 1930, the British public took a stronger interest in early Chinese art than in works produced in the pre-modern and modern periods. However, China’s cultural diplomacy in Britain during war-time, as well as the interactions between collectors, scholars and artists of both countries, helped refresh Occidental understanding of the tradition and recent achievements of Chinese art. This article examines the ways in which modern Chinese painting was perceived, collected and displayed in Britain from 1930 to 1980… Show more

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Cited by 5 publications
(2 citation statements)
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“…After Cézanne opened the Western modern painting, the art of painting developed in a complicated direction, and the alternation of different schools aimed to show the experimental and irrational nature of modern painting. Literature [6] introduces modern Chinese art, discusses the exhibition of modern Chinese paintings in Britain, and argues that Chinese paintings exiled in Britain during the war helped establish China's reputation in Britain. Literature [7] attempts to retrieve judgment in the category of good and bad paintings, drawing on the indistinguishable writings of Arthur Danto to sort out the visual characteristics of comprehending paintings in order to argue and then expose their shortcomings.…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation
“…After Cézanne opened the Western modern painting, the art of painting developed in a complicated direction, and the alternation of different schools aimed to show the experimental and irrational nature of modern painting. Literature [6] introduces modern Chinese art, discusses the exhibition of modern Chinese paintings in Britain, and argues that Chinese paintings exiled in Britain during the war helped establish China's reputation in Britain. Literature [7] attempts to retrieve judgment in the category of good and bad paintings, drawing on the indistinguishable writings of Arthur Danto to sort out the visual characteristics of comprehending paintings in order to argue and then expose their shortcomings.…”
Section: Introductionmentioning
confidence: 99%
“…Dakang Feng, Momo Feng. Applied Mathematics and Nonlinear Sciences, 9(1) (2024)[1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18] …”
mentioning
confidence: 99%