John Toland's Description of Epsom (1711) is one of the most remarkable creative responses, ancient or modern, to Pliny's Epistles. Drawing on the villa letters and the collection as a whole for both topographical description and self-styling, Toland moulds himself after an intensely ruralist – and strikingly Horatian – Pliny. This article reads Epsom together with Toland's translations from the Epistles (1711–12) as a case study in reception which can also shed fresh light on Pliny's own epistolary self-portraiture.