Marginalized Voices in Music Education 2017
DOI: 10.4324/9781315225401-1
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“…Advocacy is a large part of the role of the National Association for Music Education (2020). Talbot (2018) suggested that "advocacy in our field would not be necessary if the broader population felt the work we did as music teachers represented and reflected their identities and daily lives" (p. 6). Many of the actions toward more inclusive practice described by the participants in this study sought to do just that: represent and reflect the identities and daily lives of students and the communities in which participants taught.…”
Section: Implications For Prek-12 Music Education and Researchmentioning
confidence: 99%
“…Advocacy is a large part of the role of the National Association for Music Education (2020). Talbot (2018) suggested that "advocacy in our field would not be necessary if the broader population felt the work we did as music teachers represented and reflected their identities and daily lives" (p. 6). Many of the actions toward more inclusive practice described by the participants in this study sought to do just that: represent and reflect the identities and daily lives of students and the communities in which participants taught.…”
Section: Implications For Prek-12 Music Education and Researchmentioning
confidence: 99%
“…More recently, Hess (2021) suggested that curriculum and policy decisions that reduce Whiteness and Eurocentricity create paths for music students of various cultural backgrounds to thrive. The edited volume Marginalized Voices in Music Education (Talbot, 2017) contains three studies authored or co-authored by Black scholars, providing perspectives that are often missing in the field. McCall (2017) examined the systems that marginalize Black voices in music education and advocated for diverse recruiting and hiring practices.…”
mentioning
confidence: 99%