Transnational Borderlands in Women’s Global Networks 2011
DOI: 10.1057/9780230119475_1
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Cited by 23 publications
(1 citation statement)
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“…Therefore, we cannot read the photographs as the unadulterated voices and perspectives of undocumented immigrants. Yet, as Clara Román‐Odio and Marta Sierra argue, cultural texts produced by border subjects can “create new paradigms that can fully incorporate the stories of border crossers…committed to revealing and dismantling the structures of power that have drastically altered life in the area” (9–10). The BFP's migrant photographic archive serves as a forum for amplifying the various perspectives and experiences of undocumented immigrants in the US border region.…”
Section: Border Film Project: Nationalism Through Legitimacy Authorimentioning
confidence: 99%
“…Therefore, we cannot read the photographs as the unadulterated voices and perspectives of undocumented immigrants. Yet, as Clara Román‐Odio and Marta Sierra argue, cultural texts produced by border subjects can “create new paradigms that can fully incorporate the stories of border crossers…committed to revealing and dismantling the structures of power that have drastically altered life in the area” (9–10). The BFP's migrant photographic archive serves as a forum for amplifying the various perspectives and experiences of undocumented immigrants in the US border region.…”
Section: Border Film Project: Nationalism Through Legitimacy Authorimentioning
confidence: 99%