In technology we are witnessing the convergence of dry computational systems and wet biological processes, involving the assembly of bits, atoms, neurons and genes in conjunctions that will provide the artist with a new kind of material substrate, for which I have coined the term moistmedia [1]. Of these components, it is the bit that is the most familiar to artists: computational systems and digital media have dominated the techno-art scene for at least 30 years. Attention in this paper, however, is directed to the atom, to the nano level of interaction, and to the molecular domain-more particularly, to an organism's information network of photons emitted by DNA molecules, paralleled technologically by the constant flows of electrons and photons across the body of the planet through telematic networks. As science digs deeper into matter, moving, re-assembling and coordinating atoms and molecules in the nanofield, the distinction between the organic and the technological is becoming less clear. Similarly our molecular knowledge may lead us to a better understanding of changes in consciousness and perception afforded by pharmacology. Whatever turns out to be the case, we are now increasingly focusing our attention on the very small, at a level far beyond miniaturization: A nanometer is one-billionth of a meter. This level of operation is, in any retinal sense and no matter how technologically augmented our eyes are, literally out of sight. So much so that the scanning tunneling microscope (STM) calls for touch [2] rather than vision to navigate the nanofield and to manipulate individual atoms. I argue below that the nanofield mediates between pure matter and pure consciousness and that its significance as an interface between two levels of reality can hardly be overestimated.