Introduction to Meaningful data/Données signifiantes

Compagno, Dario; Treleani, Matteo

doi:10.1515/sem-2018-0141

Cited by 4 publications

(2 citation statements)

References 31 publications

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“…People who decide, defi ne, describe, choose, interpret, think and believe" (Avezzù, 2017: 65). Platforms act as fi lters and as non-neutral intermediaries within user experience because data are never meaningless (Compagno-Treleani, 2019): "Data are never neutral, in the sense of being unaffected by the observer's procedures" (idem: 2).…”

Section: Platforms and "Streaming Revolution"mentioning

confidence: 99%

New Digital Cinema: How Platforms Are Changing the Audiovisual Industry

Capalbi

Fabbri

Iervese

2021

Acta Universitatis Sapientiae, Communicatio

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Digitalization has been changing the methods of production, distribution, and use of written and audiovisual products, according to a process of “platforming”. Most audiovisual content is available via streaming platforms, through a lot of devices (PCs, tablets, smartphones, smart TVs, and videogame consoles), which have empowered the process of media convergence. Based on a theoretical framework related to the impact of the platforms on the ongoing process, we intend to analyse how platforms are changing the identity of the audiovisual industry and how they represent themselves online. In order to analyse the ongoing process, we intend to examine some platforms that could be considered as best practices in the audiovisual field: Netflix, MUBI, and Festival Scope. On the one hand, using these platforms as case studies will enable us to highlight some beneficial aspects of the ongoing process of digitalization and platforming: holding many gazes and points of view; catching market niches; building a peer-to-peer network. On the other hand, we intend to emphasize some risks connected to the intermediation of platforms in the audiovisual field in terms of economic, cultural, and social effects.

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Section: Platforms and "Streaming Revolution"mentioning

confidence: 99%

New Digital Cinema: How Platforms Are Changing the Audiovisual Industry

Capalbi

Fabbri

Iervese

2021

Acta Universitatis Sapientiae, Communicatio

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“…Likewise, it has been discussed what type of relationship is established between the concepts of information and meaning (Shannon and Weaver 1949), within the framework of biosemiotics in its different manifestations in living beings (Queiroz et al 2011). In short, epistemologically it is questioning whether there is a correspondence between "data" and "signs" (Compagno and Treleani 2019;Compagno 2018), between the quantitative and the qualitative.…”

Section: Introductionmentioning

confidence: 99%

Qualitative and Quantitative Examples of Natural and Artificial Phenomena

Hernández-Fernández

2021

Biosemiotics

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The dichotomy between the qualitative and the quantitative has been a classic throughout the history of science. As will be seen, this dichotomy permeates all ontological levels of reality. In this work, phenomenological examples potentially related to semiosis are presented at the different levels established by Mario Bunge and Josep Ferrater Mora, contrasting the qualitative categorizations with the quantifiable physical reality. Likewise, the need to continue in the quantification of the biosemiotic and linguistic studies will be presented, while, in contrast, the need to establish a qualitative framework in the little-addressed study of technosemiotics will be raised, of potential interest given the notable advances that are expected in communication systems for inert artifacts in the next years. In short, in the thesis defended here the qualitative precedes the quantitative in the defining path of science.

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Is the Web a Semiodiscursive Object?

BARATS,

BONACCORSI

2023

Analyzing Websites

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Introduction to Meaningful data/Données signifiantes

Cited by 4 publications

References 31 publications

New Digital Cinema: How Platforms Are Changing the Audiovisual Industry

New Digital Cinema: How Platforms Are Changing the Audiovisual Industry

Qualitative and Quantitative Examples of Natural and Artificial Phenomena

Is the Web a Semiodiscursive Object?

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