2017
DOI: 10.16997/wpcc.226
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Invisible Revolutions: Free Radio Music Programming in Barcelona

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“…The new presentation as audiovisual content was adapted to the new trends in radio as interactive radio-for example, (i) podcasts as a distribution tool (see Bonet and Sellas 2019;Sellas and Solà 2019;Sellas 2018) and (ii) use of social networks, social media, and platforms (such as Facebook, Twitter, and Instagram), audiovisual platforms (such as YouTube and Vimeo), and sound platforms (such as Mixcloud and SoundCloud) as promotional tools and/or creative tools for new audiovisual content for a radio show and/or radio music show (see Sellas 2013)-and ethical and copyright issues in music (see Costa 2016, Costa 2017. Jt was also enriched with additional multimodal content and material, such as (a) sound/audio media spots from local radio stations in Thessaloniki ( Greece Appendix E).…”
Section: Lesson Planmentioning
confidence: 99%
“…The new presentation as audiovisual content was adapted to the new trends in radio as interactive radio-for example, (i) podcasts as a distribution tool (see Bonet and Sellas 2019;Sellas and Solà 2019;Sellas 2018) and (ii) use of social networks, social media, and platforms (such as Facebook, Twitter, and Instagram), audiovisual platforms (such as YouTube and Vimeo), and sound platforms (such as Mixcloud and SoundCloud) as promotional tools and/or creative tools for new audiovisual content for a radio show and/or radio music show (see Sellas 2013)-and ethical and copyright issues in music (see Costa 2016, Costa 2017. Jt was also enriched with additional multimodal content and material, such as (a) sound/audio media spots from local radio stations in Thessaloniki ( Greece Appendix E).…”
Section: Lesson Planmentioning
confidence: 99%