Masculinity and Irish Popular Culture 2014
DOI: 10.1057/9781137300249_6
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‘Irish Lads’ and English Rock: Musical Masculinities in the 1990s

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“…During the 1990s, however, Bono played with several personalities in his music and on stage that exaggerated, mocked, and subverted traditional ideas about rock music and masculinities. Campbell (2013) stressed that, in contrast to rock culture in Anglo-American contexts, the alternative masculinities (e.g., performing in drag) and the blurring of pop and rock music was certainly new and subversive in Irish rock music culture. Furthermore, traditional ideas of masculinity are also challenged in the bands' songs included in the Timeless Hundred.…”
Section: Qualitative Findingsmentioning
confidence: 99%
“…During the 1990s, however, Bono played with several personalities in his music and on stage that exaggerated, mocked, and subverted traditional ideas about rock music and masculinities. Campbell (2013) stressed that, in contrast to rock culture in Anglo-American contexts, the alternative masculinities (e.g., performing in drag) and the blurring of pop and rock music was certainly new and subversive in Irish rock music culture. Furthermore, traditional ideas of masculinity are also challenged in the bands' songs included in the Timeless Hundred.…”
Section: Qualitative Findingsmentioning
confidence: 99%