“…(Stone, 2008: 6) Those who are picking up performativity -be that in mainstream or in feminist, queer and other dissident theological circles -point out that, "Textual meaning is inseparable from hermenutics and interpretive rhetoric, which take place in specific contexts and under the influence of traditions and interpretive communities religious and scholarly" (Stone, 2008: 2 (Soroush, 2000;Arkoun, 2003). There is a gathering wave of female scholars working through processes of ijtihad to challenge hegemonic and customary practice which claim Islamic theological grounding (Barlas, 2002;Wudud, 1999;Vatuk, 2013 also structure and produce religious subjectivities in people, then firstly, there can never be a possibility of reaching a pure, authentic interpretation, and, secondly, all people whose religious subjectivities are produced through engagement and inter action with 'Quran' and 'Islam' are part of the process of producing 'Quran' and 'Islam.' New performative critics go much further, in seeking to lay bare the politics by which texts have been interpreted in certain directions and in refusing any notion at all of any possible authenticity, guarantee by way of a revelation of authorial intention or, sometimes, limits to potential future interpretive moves.…”