Kornell and Bjork (Psychological Science 19:585-592, 2008) found that interleaving exemplars of different categories enhanced inductive learning of the concepts based on those exemplars. They hypothesized that the benefit of mixing exemplars from different categories is that doing so highlights differences between the categories. Kang and Pashler (Applied Cognitive Psychology 26:97-103, 2012) obtained results consistent with this discriminative-contrast hypothesis: Interleaving enhanced inductive learning, but temporal spacing, which does not highlight category differences, did not. We further tested the discriminative-contrast hypothesis by examining the effects of interleaving and spacing, as well as their combined effects. In three experiments, using photographs of butterflies and birds as the stimuli, temporal spacing was harmful when it interrupted the juxtaposition of interleaved categories, even when total spacing was held constant, supporting the discriminative-contrast hypothesis. Temporal spacing also had value, however, when it did not interrupt discrimination processing.Keywords Categorization . Induction . Interleaving .
Spacing . MetacognitionPeople accumulate a great deal of knowledge via inductive learning. Children, for example, learn concepts such as boat or fruit by being exposed to exemplars of those categories and inducing the commonalities that define the concepts.Later in life, we might learn to distinguish between different species of butterflies or birds, as in the present research. Such inductive learning is critical in making sense of events, objects, and actions-and, more generally, in structuring and understanding our world. In the present research, we examined how exemplars of to-be-learned categories should be sequenced and spaced in order to optimize inductive learning. Kornell and Bjork (2008) investigated the effect of study schedules on inductive learning-specifically, learning artists' painting styles from exemplars of their paintings. Images of six paintings by each of 12 artists were presented for study, with the artist's name displayed below each painting. The paintings by half of the artists were blocked (i.e., all six paintings by a given artist were shown consecutively), whereas the paintings by the other six artists were interleaved (i.e., mixed together). After the learning phase, participants were shown new paintings by each of the 12 artists and were asked to identify which artist had painted each new painting. Kornell and Bjork found that interleaving artists' paintings led to better performance on this inductive task than did blocking-even though participants consistently believed that blocking, rather than interleaving, had been more helpful for learning the artists' styles.