Izabela Mironowicz — Poland

Mironowicz, Izabela

doi:10.1080/02513625.2015.1038068

Cited by 4 publications

(3 citation statements)

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“…The problem how to certify generalized measurements in different dimensions and with arbitrary number of outcomes remains open. The above construction suggests that a possible way to tackle this issue is related to similar QRAC constructions [19]. This shows the benefit of using the above method in comparison to a simple conversion from existing entangled protocol using EBI.…”

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confidence: 82%

Experimentally feasible semi-device-independent certification of four-outcome positive-operator-valued measurements

Mironowicz

Pawłowski

2019

Phys. Rev. A

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confidence: 82%

Experimentally feasible semi-device-independent certification of four-outcome positive-operator-valued measurements

Mironowicz

Pawłowski

2019

Phys. Rev. A

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“…The first wave of deportations took place on 10 February 1940, targetting representatives of the Polish state apparatus, employees of the Forestry Corps (along with their families), and Polish settlers. 42 Of the four deportations, the first, which affected 50, 224 people, resulted in the highest number of fatal casualties. The next major phase of deportations, on 13 April 1940, also mainly affected Poles.…”

Section: Deportations 1940mentioning

confidence: 99%

Strzemiński’s War

Nader¹

2019

A Reader in East-Central-European Modernism 1918–1956

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Theory of Seeing', war drawings, In memory of friends-Jews) (Warsaw, 2018). This article was originally published as 'Wojna Strzemińskiego' by Teksty Drugie (online) 4 (2017). It analyses selected war drawings by Władysław Strzemiński from the years 1939 to 1944, treating these as specific, visual testimonites of historical liminal events: the deportations from the Eastern Borderlands under Soviet occupation; the expulsion of the Polish population from occupied Łódź; and the genocide of the Jewish people. Mobilising both historical and neuro-aesthetic frameworks, based on the work of Vilayanur S. Ramachandran and William Hirstein, the essay proposes to define Strzemiński's war drawings as neuro-testimonies: a visual record which adopts an active process of seeing and a mode of understanding initiated at the level of neurological bodily phenomena. (KKW) Strzemiński's War Władysław Strzemiński's war drawings comprise at least seven cycles of works. I will focus on those in the collection of the Muzeum Sztuki in Łódź, many of which were donated in person by Strzemiński in November 1945. 1 There is limited scholarship on these works. The first to refer to them was Julian Przyboś, in 1956, noting in a brief passage the peculiar suspension of the drawings between abstraction and realism, their syntheticism, unusually expressive qualities, and their focus on the concrete. 2 The poet interpreted a number of works as relating to the Holocaust. At the end of the 1980s, Janina Ładnowska perceptively pointed to the emotional content of the war works and to the importance of emotions in Strzemiński's writings, examining the drawings primarily in relation to the artist's 1936 article 'Aspects of Reality', which was devoted, among other topics, to a critical reading of Surrealism. 3 The artist's friend Stefan Krygier also stressed the role of sensation (in addition to form and seeing) and the sensitivity to the suffering of others that he believed the drawings expressed. 4 Ładnowska interpreted these works as a reaction to the 'horrors of war', a 'dramatic expression of the fate not of the individual but common to humankind as a species', synthesised in the postwar cycle of collages To My Friends the Jews (Moim przyjaciołom Żydom, 1945-1947). 5 In a similar spirit, Krygier stressed the presence in the drawings of the universal experience of the human tragedy of war. He emphasised the interpretative importance of the title and linked the works, in this respect, above all, to Surrealism. The first and only researcher to date to interpret and attend to the aforementioned works has been Andrzej Turowski, in a passage of his chapter on war in the book Constructors of the World (Budowniczowie świata), his comprehensive take on avant-garde and modern art history in Poland. 6 He noted the presence of biographical experience in the drawings, and connected them (as did Ładnowska) to the cycle To My Friends the Jews, analysing them in relation to ideas such as trace, shadow, and emptiness. 7 Most of the aforementioned authors (with the ex...

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“…A že po vnovičnih protestih ob deseti obletnici černobilske katastrofe, ki je najbolj prizadela prav Belorusijo, se je moral vodja stranke Paznjak pred aretacijo zateči najprej v Ukrajino in nato v ZDA. 79 Obglavljenju nacionalne opozicije je sledil še dokončni obračun z ostanki parlamentarizma, na katerega branikih so stali v glavnem Lukašenku idejno sorodni komunisti in agrarci, ki pa so hoteli pristaviti svoj piskrček k oblikovanju postsovjetske beloruske države. Spopad je kulminiral tri leta pozneje kot v Rusiji in Ukrajini.…”

Section: S H S Tudia Istorica Lovenicaunclassified

Med begom pred sovjetsko preteklostjo in vračanjem vanjo. Stranke in volitve v Ukrajini in Belorusiji med leti 1989 in 2013

Maver

Friš

Bajc

2019

SHS

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Category: 1.01 Original scientific paper Language: Original in Slovene (Abstract in Slovene and English, Summary in English) Key words: history of Ukraine, history of Belarus, party systems, political parties, Yulia Tymoshenko, Rukh movement, Alyaksandr Lukashenka, Communist parties in post-Soviet countries, politics of the post-Soviet environments Synopsis: The development of respective party systems in Ukraine and Belarus immediately before and after the collapse of the Soviet Union could hardly be more different. In Ukraine a solid party system was slow to emerge. Different historical experiences and cultural features in various parts of the country as well as strong linking of political groupings to particular personalities or rather economic power groups prevented formation of stable parties with firm base of support in all regions of Ukraine. The divide between east and west, established already in 1994 and reinforced during the presidential election in 2004, has remained the main feature of Ukrainian politics until today. Belarus, on the other hand, can be seen as a country where political parties exert the weakest influence in all Europe. Animosity towards party politics has been rooted in Soviet traditions, but it has also been systematically encouraged by the president Alyaksandr Lukashenka's regime.

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Izabela Mironowicz — Poland

Cited by 4 publications

References 0 publications

Experimentally feasible semi-device-independent certification of four-outcome positive-operator-valued measurements

Experimentally feasible semi-device-independent certification of four-outcome positive-operator-valued measurements

Strzemiński’s War

Med begom pred sovjetsko preteklostjo in vračanjem vanjo. Stranke in volitve v Ukrajini in Belorusiji med leti 1989 in 2013

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