JamiOki-PureJoy

Vigoda, Benjamin; Merrill, David

doi:10.1145/1279740.1279810

Cited by 5 publications

(2 citation statements)

References 10 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Intellectual Improperty is a piece for the Stanford Laptop Orchestra [24]. JamiOki [23] is a system for playing game pieces, providing instructions to each musician and getting feedback from them. Cobra is a game piece with various collaboration modes.…”

Section: Modes Of Collaborationmentioning

confidence: 99%

BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras

Berthaut

Dahl

2016

Music, Mind, and Embodiment

View full text Add to dashboard Cite

Abstract. Orchestras of Digital Musical Instruments (DMIs) enable new musical collaboration possibilities, extending those of acoustic and electric orchestras. However the creation and development of these orchestras remain constrained. In fact, each new musical collaboration system or orchestra piece relies on a fixed number of musicians, a fixed set of instruments (often only one), and a fixed subset of possible modes of collaboration. In this paper, we describe a unified framework that enables the design of Digital Orchestras with potentially different DMIs and an expandable set of collaboration modes. It relies on research done on analysis and classification of traditional and digital orchestras, on research in Collaborative Virtual Environments, and on interviews of musicians and composers. The BOEUF framework consists of a classification of modes of collaboration and a set of components for modelling digital orchestras. Integrating this framework into DMIs will enable advanced musical collaboration modes to be used in any digital orchestra, including spontaneous jam sessions.

show abstract

Section: Modes Of Collaborationmentioning

confidence: 99%

BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras

Berthaut

Dahl

2016

Music, Mind, and Embodiment

View full text Add to dashboard Cite

show abstract

“…So far, no effective tools have been developed, that exploit the power of the human voice in the early stages of the sound design process, whereas the effectiveness of communication of audio concepts via vocal imitations has been experimentally assessed, especially for sound retrieval [7,2]. Conversely, several examples can be found in the literature of systems that implement the vocal sampler-looper-effector chain for prototyping or for producing music patterns [29]. More relevant and inspiring for the reported research are the studies that attempted at extracting acoustic or phonetic qualities from the voice to drive sound synthesis for musical purposes [16,27].…”

Section: Introductionmentioning

confidence: 99%

miMic

Rocchesso

Mauro

Monache

2016

Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction

View full text Add to dashboard Cite

ABSTRACTmiMic, a sonic analogue of paper and pencil is proposed: An augmented microphone for vocal and gestural sonic sketching. Vocalizations are classified and interpreted as instances of sound models, which the user can play with by vocal and gestural control. The physical device is based on a modified microphone, with embedded inertial sensors and buttons. Sound models can be selected by vocal imitations that are automatically classified, and each model is mapped to vocal and gestural features for real-time control. With miMic, the sound designer can explore a vast sonic space and quickly produce expressive sonic sketches, which may be turned into sound prototypes by further adjustment of model parameters.

show abstract

Exploring 3D gestural interfaces for music creation in video games

Bott

Crowley

LaViola

2009

Proceedings of the 4th International Conference on Foundations of Digital Games

View full text Add to dashboard Cite

In recent years the popularity of music and rhythm-based games has experienced tremendous growth. However almost all of these games require custom hardware to be used as input devices, and these devices control only one or two similar instruments. In this paper we describe One Man Band, a prototype video game for musical expression that uses novel 3D spatial interaction techniques using accelerometer-based motion controllers. One Man Band provides users with 3D gestural interfaces to control both the timing and sound of the music played, with both single and collaborative player modes. We further investigate the ability to detect different musical gestures without explicit selection of mode, giving the user the ability to seamlessly transition between instrument types with a single input device. A formal user study is then presented comparing the musical interface of One Man Band to that of Nintendo's Wii Music. Our results indicate that users generally preferred the interface of One Man Band over that of Wii Music. We also found that users desire to express their own ideas and have explicit control of the melodies created in music-based video games.

show abstract

JamiOki-PureJoy

Cited by 5 publications

References 10 publications

BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras

BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras

miMic

Exploring 3D gestural interfaces for music creation in video games

Contact Info

Product

Resources

About