2019
DOI: 10.1080/1369118x.2019.1575449
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‘Joy is resistance’: cross-platform resilience and (re)invention of Black oral culture online

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Cited by 93 publications
(42 citation statements)
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“…I also suggest that Black Twitter acts as a social space for users to entertain each other with humor and light-hearted debate. Rather than just positing Black Twitter as a space that exists in opposition to oppression, it is necessary to, as Robin D. G. Kelley (1997) writes, “recognize the importance of pleasure and laughter in people’s lives, to see culture and community as more than responses to, or products of, oppression.” Indeed, recent work from Lu and Knight-Steele (2019) points toward the importance of recognizing Black joy and pleasure online.…”
Section: What Is Black Twitter?mentioning
confidence: 99%
“…I also suggest that Black Twitter acts as a social space for users to entertain each other with humor and light-hearted debate. Rather than just positing Black Twitter as a space that exists in opposition to oppression, it is necessary to, as Robin D. G. Kelley (1997) writes, “recognize the importance of pleasure and laughter in people’s lives, to see culture and community as more than responses to, or products of, oppression.” Indeed, recent work from Lu and Knight-Steele (2019) points toward the importance of recognizing Black joy and pleasure online.…”
Section: What Is Black Twitter?mentioning
confidence: 99%
“…Such work is mandated within contemporary critical approaches to decolonizing and radicalizing research (Bonilla-Silva, 2017;Fanon, 2007;Mackey, 2016). As an approach that has garnered interest among those in critical media literacy studies (Mihailidis, 2018;Ramasubramanian, 2016), it is important to place into dialogue with scholarship on race and internet studies (Benjamin, 2019;Brock, 2020;Florini, 2019;Gray, 2014;Jackson, Bailey & Welles, 2019;Lu & Steele, 2019;Nakamura & Chow-White, 2013;Noble, 2018) (Benjamin, 2019;Brock, 2020;Florini, 2019;Gray, 2014;McIlwain, 2019;Nakamura and Chow-White, 2013;Noble, 2018).…”
Section: Resultsmentioning
confidence: 99%
“…It took me a while to learn that these were echoes of popular 'Vines Videos'. These videos are remakes of remakes of mixes of Hollywood, Bollywood and Nollywood movies, combined with songs and home videos shared on the internet, that have become an important way for marginalised youth to challenge existing stereotypes (Lu and Steele 2019). What I found interesting was that the practices of mixing, copying, and dubbing that are part of the creation of these videos are also commonly practiced in the music the pupils listened to.…”
Section: Popular Culture and Relationmentioning
confidence: 97%