Julius Caesar. A Political Biography

Avery, William T.; Balsdon, J. P. V. D.

doi:10.2307/4346359

Cited by 3 publications

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“…Like the monstrous Marxists of the past, new terror cells were invisible invaders capable of stealing the humanity away from someone from the inside out. It violates our sense of community and our sense of safety when anyone can be converted to join with the “other.” This framing is made more explicit in zombie films like The Terror Experiment (Mendeluk 2010), Osombie (Lyde 2013), and Overlord (Avery 2018), which feature protagonists at war with Nazis, terror cells, and so on (Edwards 2015). While McCarthy and other conservatives framed communism, terrorism, and opposing ideologies as a clandestine force capable of transforming people in monsters, this framing was blended and adapted to be utilized in horror.…”

Section: Framing Monstersmentioning

confidence: 99%

Monsters, Michael Myers, and the Macabre as Tools to Explain Ideological Framing

Huft

2022

Teach Sociol

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Framing as a metacommunicative device establishes the narrative of a given story and mobilizes emotional support. Within the framework of monster theory, horror movies are seen as a way of framing common fears about moral decay, concerns about the future, anxiety about outgroup members, and spiritual unknowns. In the classroom, we explore the monstrous body as a stand-in for the demonized (often literally) outgroup. Through tracing some of the historic roots of monsters, students are better able to see monsters as a recurring framing device for social fears. Utilizing the concepts of frame alignment (aligning individuals’ frames with larger social movement frames) and frame analysis (investigating the processes and mechanisms people utilize to make sense of situations), exploration of various subgenres of horror (including psychological horror, body horror, killers, monsters, zombies, and the paranormal) flesh out how frames are amplified, bridged, transformed, and extended.

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Section: Framing Monstersmentioning

confidence: 99%

Monsters, Michael Myers, and the Macabre as Tools to Explain Ideological Framing

Huft

2022

Teach Sociol

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Cicero’s Ideal Statesman in Theory and Practice

Zarecki¹

2014

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El concepto histórico de alianza en el Occidente cristiano

Sureda

2013

manuscrits

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ResumenEste artículo sitúa los orígenes de la interpretación eclesiástica occidental del concepto de alianza en un universo cultural judeocristiano y romano. Asimismo, relaciona los conceptos de pacto y propiedad con el de soberanía y plantea diferentes evoluciones e interpretaciones históricas de los mismos.Palabras clave: pactismo; alianza; soberanía; identidad; Roma; Occidente. Resum. El concepte històric d'aliança a l'Occident cristiàAquest article situa l'origen de la interpretació eclesiàstica occidental del concepte d'aliança en un univers cultural judeocristià i romà. A més a més, relaciona els conceptes de pacte i propietat amb el de sobirania, alhora que planteja evolucions i interpretacions històriques diferents dels esmentats conceptes.Paraules clau: pactisme; aliança; sobirania; identitat; Roma; Occident. Abstract. The historic concept of alliance in the Christian Western WorldThis article places the origins of the ecclesiastic Western interpretation of the concept of alliance in a cultural universe simultaneously Judeo-Christian base and Roman. Likewise, it relates the concepts of covenant and property with that of sovereignty and raises different evolutions and historical interpretations of the same ones.

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Julius Caesar. A Political Biography

Cited by 3 publications

References 0 publications

Monsters, Michael Myers, and the Macabre as Tools to Explain Ideological Framing

Monsters, Michael Myers, and the Macabre as Tools to Explain Ideological Framing

Cicero’s Ideal Statesman in Theory and Practice

El concepto histórico de alianza en el Occidente cristiano

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