Despite being dwarfed by "The Transcendental Doctrine of Elements" in both size and influence, "The Transcendental Doctrine of Method" is officially the second main part of the Critique of Pure Reason. It starts with an architectural metaphor: in the first part of the book, Kant says, we "made an estimate of the building materials and determined for what sort of edifice, with what height and strength, they would suffice" (A707/B735). Those materials came from both sensory intuition (Transcendental Aesthetic) and conceptual understanding (Transcendental Analytic). But although "we had in mind a tower that would reach the heavens," it turned out that speculative a priori reasoning did not offer legitimate materials for the purposes of either knowledge or science (Transcendental Dialectic). In this slender second part of the Critique Kant turns from estimating materials to developing "the plan." The goal is to avoid the fate of the architects at Babel by constructing "an edifice that is in proportion to the supplies given to us and at the same time suited to our needs." In other words, the goal is to rejoin the general human project of trying to understand the world-a project "from which we are not able to abstain"-while taking into account what we have discovered about the nature and limits of our cognitive materials (A707/B735). This way of characterizing the plan-i.e. both negatively and positively-is typical of the Critique, but especially of this second part. On the one hand, we have to keep in mind the newfound limits of our materials, and thus "discipline," "censure," "humiliate," "caution against," "constrain," "compel," and even "extirpate" the illicit