in East-Central Europe and the consequences of the reshaping of the entire region from the Baltic Sea to the Black Sea and Adriatic Sea. Several other political entities created at the end of World War I such as Ukraine, Georgia or Litbel succumbed after barely living for a few months or years of existence. How did the changes of borders and belonging affect the human communities living in the area and what impact did they have beyond the region on the short, medium and long-run? How were war and peace-making experienced in this region and how did they influence the changes of political geography? How did the processes of independence and unification reverberate throughout the region and how did state and non-state actors reflect, echo and react to this structural transformation of the area? How does this metamorphosis resonate in historical memory, the politics of memory and cultural identity, in historical narratives, including competing narratives, and in the use of history in identity politics a century after the guns were silenced? How does literature permeate the changes occurring at the end of the war to end all wars in the region? How do art, architecture, patrimony, in general, capture the message of those tremendous transformations? Places of commemoration, autobiographies, biographies and memoirs, empiric or theoretical research relevant to the conference topic stood also at the core of the conference.This issue opens with an article dealing with the staging of the celebrated Arthur Miller's version of An Enemy of the People by Henrik Ibsen at the "Vasile Alecsandri" National Theatre in Iași in 2016. The author concludes that alterations of original texts lead to "a new piece of work".