“…Recent influential publications tying cognitive embodiment closely to several disciplines advancing scholarship in a multiplicity of genres are discernible in the literature to date (See, for example, Burke and Troscianko, 2013;Dancygier, 2012;Musolff et al, 2014;Semino, 2008Semino, , 2017. In a similar vein, an ongoing scholarship on the interrelationship between cognitive embodiment and film studies is remarkable (See, for example, Coëgnarts, 2017;Coëgnarts and Kravanja, 2016a, 2016b, 2016c, 2016dFahlenbrach, 2016;Forceville and Renckens, 2013;Scarinzi, 2015;Shapiro, 2014;Willemsen and Kiss, 2020). Despite the plethora of works on embodied cognition and filmography, the theory has not been addressed in the context of postcyberpunk films with special focus on posthuman representation in relation to emotion AI.…”