“…In ongoing researches and analyses (Sticchi, 2021: 249–53), I am attempting to use audiovisual culture as a mapping instrument, as a creative and operational tool by underscoring its capacity of building, constructing, and assembling new forms of life and parts of reality. In line with a long tradition of film-philosophical and non-representational theories, in fact, these elaborations consist exactly in evaluating the way in which cinematic experience operates and generates ethical and political worlds, with their own ‘agents’, to be affectively and conceptually engaged by viewers (see Deleuze, 1997: 189–98; Marks, 2000: xii–xvi, 138–9; Pisters, 2012: 30–32; Shaviro, 1993: 23–7).…”