Kendi Indonesia, Bentuk Dan Tradisi

Winata, Gita

doi:10.5614/sostek.itbj.2019.18.3.19

Cited by 4 publications

(5 citation statements)

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“…There are four kinds of data analysis used in this study, including 1) analysis of the structure of the Bayat earthenware teapot based on theoretical modifications [17], 2) analysis of the design of plastic products and Bayat pottery products based on theoretical modifications [19], 3) function analysis plastic teapots and pottery teapots based on theoretical modifications [20], and 4) analysis of the impact of clay on the environment and health based on theoretical modifications [21].…”

Section: Methodsmentioning

confidence: 99%

“…The potency of pottery in Pagerjurang Hamlet, Melikan Village, Bayat District is indicated by the abundant availability of pottery artisans, the tilting rotation technique, which is unique and not found in other crafts [15], as well as the excellent quality of clay to produce international standard pottery [16]. In addition, there are several opportunities for the efficiency of materials and production processes and for increasing the economic value of products that can be used as innovations or elements of product novelty [17]. Thus, clay crafts in Pagerjurang Hamlet, Melikan Village, and Bayat District can be developed as environmentally friendly household products.…”

Section: Introductionmentioning

confidence: 99%

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The characteristics of teapots made of plastic and clay: what are their designs, functions, and impacts on the environment?

Amboro

Purwasito

Warto

2022

IOP Conf. Ser.: Earth Environ. Sci.

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Currently, people are starting to reduce the use of traditional products and switch to ready-to-use products made from plastic, such as teapots. Nevertheless, clay crafts still maintain their existence in the widespread use of plastic products. Bayat is one of the subdistricts in Klaten Regency, Central Java, which is famous for its ceramics and pottery craft centres. Most artisans in the Bayat make crafts with clay as raw materials. This research focused on the advantages of Bayat pottery over other plastic products. This study aimed to increase public awareness to reduce plastic products’ use in daily life. This study used the descriptive qualitative method. The research was conducted in Bayat, Klaten, from March – June 2022. The results showed that clay crafts were considered more eco-friendly than plastic products. The development of Bayat pottery from clay has implications for design, function, usability, and environmental aspects. In the design aspect, the Bayat teapot can increase the aesthetic value of the craft. In terms of function and usability, the clay teapot functions as a water storage container as well as interior decoration. Meanwhile, in the environmental aspect, raw clay materials are easier to decompose, while plastic products are difficult to decompose.

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Section: Methodsmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

The characteristics of teapots made of plastic and clay: what are their designs, functions, and impacts on the environment?

Amboro

Purwasito

Warto

2022

IOP Conf. Ser.: Earth Environ. Sci.

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“…Kendi from the past can frequently be found in historical sites throughout Indonesia, as well as mainland Asia, the Middle East, and Europe [3]. Archaeological evidence indicates that clay artifacts have existed in Indonesia from the Neolithic period (around 2000 BC) [4]. These archaeological findings include simple kendi, intact kendi, or kendi fragments [5].…”

Section: Introductionmentioning

confidence: 99%

“…There are, however, distinctions between kendi in Indonesia and kundika in India. Kundika has a long and oval shape, a tall and narrow neck with a cone-shaped mouth chamber, and a kendi mouth through which water comes and flows [4]. Meanwhile, the kendi has a rounder body shape, a spout, and a handle, distinguishing it from other types of pottery [7].…”

Section: Introductionmentioning

confidence: 99%

Creativity Through Kendi Creation

Wahyuningsih,

Purwasito,

et al. 2024

KSS

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Kendi is a traditional tool that has existed in Indonesia since 2000 BC. Hence, it is essential to preserve Kendi in order to maintain the craft’s rich history and culture in Indonesia. Currently, kendi preservation is particularly carried out by art students. In its preservation, creativity plays a crucial role when developing ideas for creating kendi made by art students. This study examined the role of student imagination in the development of a kendi craft. This study is qualitative research. The findings revealed that the Kendis monotonous shape can be developed into a variety of shapes, resulting in a unique shape and improving its novelty value. Even though the kendi’s shape has altered, it can still be utilized as a water storage container. Kendi can be used to stimulate students’ imaginations into making a piece of art since numerous types of creative and innovative kendi are generated through this imagination. Keywords: art education, jug, imagination, art work

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“…Hasil Karya Ke-4 Judul : "Dèri Tana" Ukuran : 115 x 200 cm Media : Remasol diatas kain Teknik : Batik tulis Tahun : 2023 Deskripsi karya:Kendi adalah salah satu alat dapur yang digunakan masyarakat zaman dahulu untuk tempat air minum. Kendi dikenal masyarakat Jawa pada abad ke-9, hal ini ditemukan pada relief Candi Borobudur (800 M) yang menunjukkan bentuk kendi(Winata, 2020). Di Indonesia, kendi banyak digunakan di berbagai ritual mulai dari ritual kematian, perkawinan, keagamaan, dan lain-lain.…”

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Tradisi Petik Laut sebagai Sumber Ide Pembuatan Motif Batik Tulis Khas Kabupaten Situbondo

Faradila,

Ponimin,

Rini

2023

JoLLA

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Kabupaten Situbondo merupakan salah satu wilayah di Jawa Timur, yang memiliki pusat pemerintahan di Kecamatan Situbondo. Secara geografis, wilayah ini yang terletak di pesisir utara pulau Jawa. Dari hasil laut yang melimpah di Kabupaten Situbondo itu memiliki tradisi “Petik Laut”. Petik laut merupakan upacara yang dilaksanakan secara turun temurun dari nenek moyang. Upacara tersebut bertujuan untuk mengungkapkan rasa syukur nelayan atau masyarakat pesisir pantai atas hasil laut yang melimpah. Pencipta mengambil budaya tersebut untuk dijadikan sebagai motif batik khas dari Kabupaten Situbondo, karena pencipta ingin mengeksplor kebudayaan tersebut dan menambah motif batik Kabupaten Situbondo agar lebih berfariatif. Proses penciptaan ini menggunakan metode kreatif, diawali dengan tahap eksplorasi dengan melakukan wawancara dan observasi, merancang karya, eksplorasi teknik, perwujudan karya dan diakhiri dengan proses analisis karya. Dari konsep tersebut, pencipta memvisualisasikan kepada 6 karya batik tulis yang berukuran 115 × 200cm. Karya batik tulis ini memiliki konsep “Ka’atora saghârâ” diambil dari Bahasa madura yang memiliki arti ‘untuk laut’, enam karya batik tulis bertema tradisi petik laut ini memiliki judul Parao Lajhâr, Sè Utama, Tèra’na Malèm, Dèri Tana, Bighi Kaodi’en, Karapo Macan. Kata kunci: batik tulis; Petik Laut; Situbondo; metode kreatif Tradition of Petik Laut as A Source of Manufacture Ideas Situbondo Regency Special Written Batik Motif Situbondo Regency is one of the areas located in East Java, which has a government center in Situbondo District. Geographically, this area is located on the north coast of the island of Java. From the abundant marine products in Situbondo Regency, it has a tradition of "Petik Laut". Petik laut is a ceremony that has been passed down from generation to generation. The ceremony aims to express the gratitude of fishermen or coastal communities for the abundant marine products. The creators took this culture to be used as a typical batik motif from Situbondo Regency, because the creators wanted to explore this culture and add Situbondo Regency batik motifs to make it more varied. The creation process uses the creativ method starting with the exploration stage by conducting interviews and observations, designing the work, exploring techniques, embodiment of the work and ending with the process of analyzing the work. From this concept, the creator visualizes 6 sized batik creations 115 × 200cm. This written batik work has the concept of "Ka'atora saghârâ" taken from Madura language which means "For the Sea", six written batik works with the theme of the petik laut tradition have the title Parao Lajhâr, Sè Utama, Tèra’na Malèm, Dèri Tana, Bighi Kaodi’en, Karapo Macan. Keyword: batik tulis; Petik Laut; Situbondo; creative method

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Kendi Indonesia, Bentuk Dan Tradisi

Cited by 4 publications

References 0 publications

The characteristics of teapots made of plastic and clay: what are their designs, functions, and impacts on the environment?

The characteristics of teapots made of plastic and clay: what are their designs, functions, and impacts on the environment?

Creativity Through Kendi Creation

Tradisi Petik Laut sebagai Sumber Ide Pembuatan Motif Batik Tulis Khas Kabupaten Situbondo

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