Kierkegaard's Theatrical Aesthetic from Repetition to Imitation

Stock, Timothy

doi:10.1002/9781118783795.ch25

Cited by 2 publications

(3 citation statements)

References 10 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…They can be found in general international law, human rights law, humanitarian law, trade and investment law, space law, the law of the sea, international criminal law -and several other fields I forgot to mention here. Moot courts have even made it into the cinema, with students starring in the documentary film African Moot (Seedat, 2022).…”

Section: Introductionmentioning

confidence: 99%

Moot Court Competitions, Experimental Moot Courts and Documentary Role Plays

Werner

2023

Law and Method

View full text Add to dashboard Cite

To be an international lawyer is to perform international law behavior. As Schechner has put it, 'Performance means: never for the first time. It means for the second to the nth time. Performance is twice-behaved behavior' (Schechner, 1985, p. 36). Moot courts are a classical way to teach students 'twice-behaved legal behavior'. In international law, moot court competitions have proliferated lately. However, the format of the moot court is copied rather uncritically, and not much attention is devoted to other, more reflexive theatrical means. In this article I try to open up space for such critical thinking beyond moot courts. I study moot courts as a form of performance, as a re-enactment. This perspective on moot courts allows me to focus on one of the core questions brought up in existing studies on re-enactments: who or what is re-enacted in such role plays? The equally main question is whether it is possible to reenact court cases differently. In order to answer this question, I will explore two alternative forms of reenactment of international law behavior: experimental moot courts and documentary role-plays. I examine what sort of behavior, what sort of character is restored in these two other forms of role-play.

show abstract

Section: Introductionmentioning

confidence: 99%

Moot Court Competitions, Experimental Moot Courts and Documentary Role Plays

Werner

2023

Law and Method

View full text Add to dashboard Cite

show abstract

“…02 O različitim aspektima izvedbenoga karaktera cijele Kierkegaardove filozofije usp. Sagi, 1991;Westfall, 2007;Stock 2015;Ryan, 2017i Nagy 2019, no u ovome je kontekstu možda najprikladnije izdvojiti Bovenovu hipotezu kako Kierkegaard i svojim neobičnim pojmovima, o kojima će ovdje još biti riječi, barata kao "performativnim kategorijama", smišljenim sa ciljem da "aktiviraju čitateljevu subjektivnost" (Boven, 2018, 116).…”

unclassified

“… Usp. Westfall, 2009 i 2015Pyper, 2007; Bodwitch, 2009, Stock, 2015Ryan, 2017;Watts, 2017 i Wennerscheid 2018 14 Termin "redatelj", "réalisateur" je Weberov, usp. 1996., dok se za mnogoslojnost Kierkegaardovoga autorstva Westfall više služi terminom "izvedba", usp Westfall, 2007..…”

unclassified

Filozofija glume i njezine granice: “Kriza općenito i kriza u životu glumice” Sørena Kierkegaarda

Feldman¹

2020

Metafilozofija I Pitanja Znanstvene Metodologije: Radovi Petog Okruglog Stola Odsjeka Za Filozofiju

View full text Add to dashboard Cite

Kierkegaard's Theatrical Aesthetic from Repetition to Imitation

Cited by 2 publications

References 10 publications

Moot Court Competitions, Experimental Moot Courts and Documentary Role Plays

Moot Court Competitions, Experimental Moot Courts and Documentary Role Plays

Filozofija glume i njezine granice: “Kriza općenito i kriza u životu glumice” Sørena Kierkegaarda

Contact Info

Product

Resources

About