Paintings are complex objects containing many different
chemical
compounds that can react over time. The degradation of arsenic sulfide
pigments causes optical changes in paintings. The main degradation
product was thought to be white arsenolite (As2O3), but previous research also showed the abundant presence of As(V)
species. In this study, we investigate the influence of the presence
of a medium on the degradation mechanism of orpiment (As2S3) using synchrotron radiation (SR)-based tomographic
transmission X-ray microscopy, SR-based micro-X-ray fluorescence,
and X-ray absorption near edge structure spectroscopy. Upon direct
illumination of dry orpiment powder using UV–visible light,
only the formation of As2O3 was observed. When
As2S3 was surrounded by a medium and illuminated,
As2O3 was only observed in the area directly
exposed to light, while As(V) degradation species were found elsewhere
in the medium. Without accelerated artificial light aging, As(V)(aq) species are formed and migrate throughout the medium within
weeks after preparation. In both scenarios, the As(V) species form
via intermediate As(III)(aq) species and the presence of
a medium is necessary. As(V)(aq) species can react with
available cations to form insoluble metal arsenates, which induces
stress within the paint layers (leading to, e.g., cracks and delamination)
or can lead to a visual change of the image of the painting.