This paper investigates the feelings of both social isolation (Cacioppo et al., 2014; Lancet, 2014) and connection (Gauntlett, 2012;Armstrong et al., 2014) in female amateur crafters in knit and crochet who post images of their work and comments on their making to a Facebook group -and asks whether this impacts on their sense of wellbeing.The project-in-progress involves thematic analysis of data purposively collected from women invited through Twitter and other online textile crafting pages to join a closed Facebook group set up exclusively for PhD. study. In research operating online and with the researcher employed as a participant-observer, the accepted ethnographic parameters of time, location and fixed cultural group are challenged.Initial findings suggest that crafters seek belonging, positive strokes of accomplishment and celebrate the soothing qualities of the tactile to assuage loneliness (Turney, 2012); others feel that their creativity is devalued through depictions of isolation (Hemmings, 2014). Additional themes emerge, including the ways that sharing tangible making in knit and crochet online can support an improved sense of agency and self-esteem. The study highlights how both the acts of making and of sharing making online contribute to participants' sense of positive wellbeing. Further research appears necessary into the role of tactile making shared in a virtual environment and reframing solitary creative activities as meaningful -including how these may contribute to feelings of personal and social wellbeing. Keywords amateur makers knit crochet wellbeing connection agency Introduction That women's crafting with yarn in knit and crochet -making for selfless purpose, or as a quiet form of activism -is somehow 'good for you' has long been both assumed and devalued or discounted (Hackney, 2013). There is increasing awareness of the impact of such activities on wellbeing, in the work of organisations such as Stitchlinks (Riley et al., 2013;Corkhill et al., 2014) and a number of 'arts for health' projects across the UK. Nevertheless, research in this area is still somewhat limited, especially in the investigation of wellbeing supported through group social identity. The aspect of amateur makers creating tactile objects and sharing their experiences in order to weave social connections through online media is significantly under-researched. This is despite the fact that yarn-based digital communities such as Ravelry have membership in the millions (Orton-Johnson, 2014) and participants involved in Facebook knit and crochet groups number in hundreds of thousands (Mayne, in press).