2009
DOI: 10.1016/j.anthro.2009.09.017
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L’art pariétal de la grotte Les Meravelles. Vers une caractérisation de l’art paléolithique pré-magdalénien du versant méditerranéen de la Péninsule Ibérique

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Cited by 17 publications
(9 citation statements)
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“…on the one hand, the graphic images at Ventanas support the idea of an early arrival of the EUP in southern Iberia, identified industrially and artistically for series attributed to the Evolved Aurignacian and Early Gravettian [ 1 , 11 , 18 ]; on the other hand, they serve to consolidate the idea that the innovations were not exclusively technological, but that they came together with all the associated complex symbolic expressions [ 1 ], including Palaeolithic art, in places like Ventanas, La Pileta and Ardales [ 16 , 18 , 19 ], among other sites [ 22 ].…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…on the one hand, the graphic images at Ventanas support the idea of an early arrival of the EUP in southern Iberia, identified industrially and artistically for series attributed to the Evolved Aurignacian and Early Gravettian [ 1 , 11 , 18 ]; on the other hand, they serve to consolidate the idea that the innovations were not exclusively technological, but that they came together with all the associated complex symbolic expressions [ 1 ], including Palaeolithic art, in places like Ventanas, La Pileta and Ardales [ 16 , 18 , 19 ], among other sites [ 22 ].…”
Section: Discussionmentioning
confidence: 99%
“…Ardales, La Pileta, etc.) have enabled us to reconsider the existence of horizons attributable to this period in southernmost Iberia [ 17 – 22 ].…”
Section: Introductionmentioning
confidence: 99%
“…This work has considered recent finds in Alkerdi 2 [ 57 ], the decorated pebble from El Pendo [ 58 ] and other ensembles that have not been previously considered (Abri Laraux, Abri Labattut, Abri Pataud, Erberua and Pergouset). It also includes the portable and parietal ensemble at Parpalló Cave [ 59 ], as several motifs in that cave display the same conventional features, as well as a figure in La Pileta Cave [ 60 ] and two figures of El Moro [ 61 ]. As we have pointed previously, there are also some marginal sites or depictions in where these formalisms can be found, but where other conventionalism abound, like Mazouco [ 62 ], El Niño [ 63 ], La Griega [ 64 ], La Clotilde [ 65 ] and El Rincón [ 52 ].…”
Section: Resultsmentioning
confidence: 99%
“…Los datos de Nerja y Parpalló muestran la vigencia de producciones de tipo gravetiense durante el episodio de puntas unifaciales, una relación que también se señala en el primer arte solutrense (Villaverde et al 2009), aunque persiste una de las mayores dudas: el papel de los contextos de puntas de cara plana, pues basculan entre las producciones de tradición gravetiense y el "verdadero" Solutrense. Esta situación coincide con un primer vacío radiocarbónico entre 21 y 20 ka BP, que introduce incertidumbres sobre la edad de los primeros conjuntos plenos (¿ca.…”
Section: Discussionunclassified