La Cappella musicale di San Marco nell'eta moderna: Atti del convegno internazionale di studi, Venezia, Palazzo Giustiniani Lolin, 5-7 settembre 1994 (review)

This article investigates three voci pari settings by Gioseffo Zarlino, the lectiones pro mortuis that appeared in the Motetta D. Cipriani de Rore et aliorum auctorum (Venice: Girolamo Scotto, 1563). Although this collection contains motets, we argue that Zarlino's lectiones were intended as liturgical items for an Office for the Dead, celebrated as part of exequial rites. As such, they represent the first printed liturgical settings for the Office for the Dead in the Italian-speaking area. By analyzing liturgical sources as well as chronicles, we show that there was no tradition of setting the lessons pro mortuis in Italy, and that Zarlino's lectiones must have been a somewhat isolated musical experiment. We contextualize the settings within Zarlino's oeuvre, while also highlighting their relation to the contemporary repertoire of polyphonic lessons for penitential liturgies, most importantly lamentations—a genre that was published widely in the 1560s. In an attempt to reconstruct the social and institutional networks that might constitute the background to Zarlino's lectiones, we urge considering their author not only as a theorist and composer, but also as a polymath, a priest, and, ultimately, a devout Christian.

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Djela hrvatskih pisaca o glazbi 16. i 17. stoljeća sačuvana u poljskim knjižnicama

Tuksar¹

2018

musicinsociety

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Ovo je priopćenje rezultat istraživanja koje sam u knjižnicama Republike Poljske proveo u okvirima programa razmjene između Poljske i Hrvatske akademije znanosti od 2008. do 2013. godine i tijekom rada na međunarodnom projektu HERA MusMig: “Glazbene migracije u ranom novom vijeku: susret europskog istoka, zapada i juga”, obavljenog od 2013. do 2016. godine. Ta su djela pronađena u 20 poljskih knjižnica u 11 gradova u obliku i opsegu od 24 naslova desetorice autora u više desetaka primjeraka. Ona su dio znatno šire palete svih naslova hrvatskih autora objavljenih od 16. do 18. stoljeća što ih poljske knjižnice čuvaju u gotovo 300 primjeraka. Ovdje ću ukratko prikazati autore i djela s glazbenim sadržajem, te poljske knjižne fondove u kojima se čuvaju, uz neke naznake o mogućem porijeklu i načinu nabavke nekih od tih naslova.

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La Cappella musicale di San Marco nell'eta moderna: Atti del convegno internazionale di studi, Venezia, Palazzo Giustiniani Lolin, 5-7 settembre 1994 (review)

Cited by 4 publications

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A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique

A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique

Deep Mourning in Cinquecento Venice: Gioseffo Zarlino's lectiones pro mortuis

Djela hrvatskih pisaca o glazbi 16. i 17. stoljeća sačuvana u poljskim knjižnicama

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