La construcción del mercado audiovisual europeo: balance de dos décadas de políticas públicas

Crusafón, Carmina

doi:10.32870/cys.v0i20.221

Cited by 3 publications

(2 citation statements)

References 5 publications

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“…Our findings reveal that the program was not able to meet its ambitious goals and can be characterised as a mismatch between rhetoric and resources (Crusafon, 2013). Institutional power was mainly deployed on a generic level in strengthening cultural diversity as an international norm, but far less in concrete terms to realise the goals set for the AMP.…”

Section: Discussionmentioning

confidence: 89%

“…The transfer of expertise was not effective, and the predetermined goals were not achieved. Furthermore, some of the problems faced previously by the EU were also present in the AMP, such as the mismatch between the stated ambitions and the resources allocated to achieve them (Crusafon, 2013). Our analysis reveals a transfer of policy goals and ideas without sufficient institutional capacity to support them.…”

Section: Tracing Policy Transfer In the Ampmentioning

confidence: 99%

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Audiovisual policy transfer between Mercosur and the European Union has gone offtrack

Fernandes

Loisen

Donders

2021

International Communication Gazette

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This article analyses the Audiovisual Mercosur Program as a case of policy transfer between Mercosur and the European Union. A qualitative document analysis, expert interviews and the use of policy transfer theory and its constraints made possible the critical evaluation of the program and its impacts. By focusing on the constraints that led to an incomplete and uninformed transfer, we were able to identify an alignment between the underlying ideas of audiovisual policies in Mercosur and the European Union, but also inadequate governance within Mercosur, unbalanced interests between the two trade blocks, and a lack of policy learning. As a result, the transfer of European Union policies reproduced well-documented failures of the European Union's internal market policies relating to the audiovisual sector.

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Section: Discussionmentioning

confidence: 89%

Section: Tracing Policy Transfer In the Ampmentioning

confidence: 99%

Audiovisual policy transfer between Mercosur and the European Union has gone offtrack

Fernandes

Loisen

Donders

2021

International Communication Gazette

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¿Hacia una política digital para el cine del Mercosur? Nuevas orientaciones en la agenda regional

Moguillansky

Poggi

2017

CHQ

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ResumenEn el Mercosur, el cine ha logrado ingresar en el esquema de integración, ampliando así la agenda temática del bloque e insertando sus problemáticas para una consideración regional. En un comienzo, las discusiones que se desarrollaron estuvieron signadas por objetivos liberales vinculados a la integración comercial y se basaron en el paradigma analógico del cine. En los últimos años, se observa un cambio en la concepción de las políticas públicas para la cinematografía de la región. Entre 2009 y 2015 se desarrolló el Programa Mercosur Audiovisual, una novedosa experiencia regional que implementó líneas de polí-ticas públicas coordinadas por los países miembros, mostrando una orientación sensible a los nuevos rasgos del paradigma digital que se está imponiendo en el ámbito cinematográfico, y delineando, asimismo, una agenda post-liberal para el Mercosur.Palabras Clave: cine; políticas públicas; Mercosur; digital. AbstractWithin Mercosur, cinema has managed to enter into the integration scheme, expanding the thematic agenda of the block and introducing their problematics for a regional consideration. If at first the discussions held were marked by liberal objectives linked to trade-centered integration, and focused on the analog paradigm of film; recently we envision a change in the design of public policies for cinematography in the region. Between 2009 and 2015 the Mercosur Audiovisual Programme took place, a new regional experience that executed a line of public policies coordinated by all members of the scheme, showing a sensitive orientation towards the digital paradigm in consolidation in the film industry, and also defining a post-liberal agenda for Mercosur.Keywords: cinema; public policy; Mercosur; digital. ResumoNo Mercosul, o cinema conseguiu ingressar no esquema de integração, ampliando a agenda temática do bloco e inserindo suas problemáticas no contexto regional. No início, as discussões que se desenvolveram estiveram marcadas por objetivos liberais vinculados à integração comercial e baseados no paradigma do cinema analógico. Entre 2009 e 2015 foi implementado o Programa Mercosul Audiovisual, uma inovadora experiência regional que propôs diretrizes para políticas públicas coordenadas pelos países membros, demonstrando uma orientação sensível aos novos elementos do paradigma digital, o qual vem se impondo no âmbito cinematográfico, e delineando, uma agenda post-liberal para o Mercosul.Palavras-chave: integração; políticas públicas; audiovisual; digital.

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Audio-Visual Production as a Path of Cooperation in Europe. Eurimages Funds

Romero-González

Palma-Martos

2019

SAEB

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The aim of this paper is to analyse co-production in Europe through the funds of the Eurimages program from its origin, in 1989 to 2016, and to determine a pattern of co-production among the main film producer nations in Europe: France, Germany, Italy and Spain. For that purpose, a statistical analysis is carried out using several data sources: the Lumiere database, the reports from the European Audiovisual Observatory, as well as those from several national film institutions (such as the ICAA in Spain, or the CNC in France), or even the webpages of the Eurimages program and the Ibermedia one. Among the main results, it should be underlined that Eurimages has contributed to the increase of European films through co-production, but not to the increase of film audience, being far from that of American films. Nevertheless, if compared to national films, Eurimages has favoured both the transnational circulation of films and their consumption. Moreover, the main reasons to choose partners to co-produce are both cultural and economic, based on language, geographical proximity, common history and having a more developed film industry with a generous film support. With this article we want to contribute to update the literature about co-production in Europe using Eurimages funds.

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La construcción del mercado audiovisual europeo: balance de dos décadas de políticas públicas

Cited by 3 publications

References 5 publications

Audiovisual policy transfer between Mercosur and the European Union has gone offtrack

Audiovisual policy transfer between Mercosur and the European Union has gone offtrack

¿Hacia una política digital para el cine del Mercosur? Nuevas orientaciones en la agenda regional

Audio-Visual Production as a Path of Cooperation in Europe. Eurimages Funds

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