Langston Hughes's Fine Clothes to The Jew

Rampersad, Arnold

doi:10.2307/2931083

Callaloo

1986

DOI: 10.2307/2931083

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Langston Hughes's Fine Clothes to The Jew

Arnold Rampersad¹

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Cited by 6 publications

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“…In his ''Hughes's Fine Clothes to the Jew,' ' Rampersad (1932) mentions a number of social/communist tendencies in the early poetry of Hughes (1926Hughes ( , 1927, who was described as ''the poet of the modern Negro proletariat'' (60). Rampersad (1932) states that Hughes wrote temporarily for the communist magazine New Masses and published two ''aggressive socialist'' poems in 1932: ''Good Morning Revolution'' and ''Goodbye Christ'' (54). In a clear political gesture, McKay lived in the Soviet Union after World War I.…”

mentioning

confidence: 99%

Internationalizing the domestic: The Harlem Renaissance and the Third World anti-colonial movements

Alquwaizani

2011

Journal of King Saud University - Languages and Translation

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mentioning

confidence: 99%

Internationalizing the domestic: The Harlem Renaissance and the Third World anti-colonial movements

Alquwaizani

2011

Journal of King Saud University - Languages and Translation

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Whitman and Race (“He's Queer, He's Unclear, Get Used to It”)

Outka¹

2002

J. Am. Stud.

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Dear Friend, let me warn you somewhat about myself-& yourself also. You must not construct such an unauthorized & imaginary ideal Figure, & call it W. W. and so devotedly invest your loving nature in it. The actual W. W. is a very plain personage, & entirely unworthy of such devotion. Whitman to Anne Gilchrist, " Whitman's insistence on '' absorbing his country, '' and his extraordinary success in translating his social context into poetry, has produced a rich tradition of biographical and historical criticism,# a tradition rejuvenated in recent years by the popularity of cultural studies.$ Indeed, Ed Folsom, the editor of The Walt Whitman Quarterly Review, notes in the introduction to his own cultural study of Whitman's work, a '' critical consensus '' that '' Whitman is best understood contextually, as a writer who reabsorbed many aspects of his culture into his work, a writer we best read by moving from the poetry out into the world that the work was woven from, a writer best understood in juxtaposition to just about any aspect of the culture we can name '' (Native Representations, ix). This tradition of scholarship is rich because it is, of course, broadly right in asserting a

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“My Blackness is the Beauty of this Land”: Racial Redefinition, African American Culture, and the Creation of the Black World in South Africa's Black Consciousness Movement

Mgbako¹

2009

Safundi

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Langston Hughes's Fine Clothes to The Jew

Cited by 6 publications

References 0 publications

Internationalizing the domestic: The Harlem Renaissance and the Third World anti-colonial movements

Internationalizing the domestic: The Harlem Renaissance and the Third World anti-colonial movements

Whitman and Race (“He's Queer, He's Unclear, Get Used to It”)

“My Blackness is the Beauty of this Land”: Racial Redefinition, African American Culture, and the Creation of the Black World in South Africa's Black Consciousness Movement

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