The historical polychrome pigments used originally and those applied for later restoration were identified on a wooden crucifix (about 1400 A.D.) from the collection of the National Museum in Gdansk by means of the Raman spectroscopic technique. Characteristic bands associated with the pigments on different areas of the object were observed in the spectra of the paint layers and also on their cross sections. Sets of bands corresponding to the original white, red and green pigments allowed the identification of chalk (283, 1087 cm −1 ), vermilion (253, 284, 343 cm −1 ) and red lead (313, 390, 548 cm −1 ), and also numerous bands ascribed to malachite and azurite. Bands corresponding to the pigments Prussian blue, (Fe[Fe 3+ Fe 2+ (CN) 6 ] 3 ) (282, 538 cm −1 ), and chrome yellow, (PbCrO 4 ) (338, 360, 403 cm −1 ), were also observed. As these pigments have been known since 1704 and 1803, respectively, it is concluded that partial retouching of some areas of the statue had taken place. For confirmation, elemental analysis was performed using LIBS (laser-induced breakdown spectroscopy) and recorded for the green paint retouching after excitation at 248 nm by a KrF laser. In the plasma emission, the elements Cu, Pb, Cr, Fe, CN, C 2 , Ca were identified, supporting the pigment assignment based on the Raman spectra. Results of this work enabled the mapping of the polychrome pigments and also the layer stratigraphy, contributing in this way to the restoration of the statue.