Le bruit et l'odeur… du succès? Contestation et contradictions dans le rock métis de Zebda

Lebrun, Barbara

doi:10.1080/09639480701461067

Modern & Contemporary France

2007

DOI: 10.1080/09639480701461067

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Le bruit et l'odeur… du succès? Contestation et contradictions dans le rock métis de Zebda

Barbara Lebrun¹

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Cited by 2 publications

(1 citation statement)

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“…transnational migration (Schade-Poulsen 1999;Mallet 2002a;Kiwan 2005); processes of transformation and creation (Cohen and Shiloah 1983;Winders 2006;Gibert 2008a) and second or third generation's musical practices (Gross, McMurray and Swedenburg 1996;Lebrun 2007). However, in this article we investigate the artists' experiences and musical pleasure, by taking into account three main issues, which each play a role in the elaboration of artists themselves as subjects: (1) their expertise and preferences for various types of music; (2) the 'chance encounters' characterising their own trajectories and (3) their potential 'identity' claims.…”

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Artistic identities and professional strategies: Francophone musicians in France and Britain

Gibert

Kiwan

2016

Modern & Contemporary France

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This article will focus on the ways in which musicians of North African origin-either born in North Africa or in France and living in France and Britain-define their musical and artistic identities in relation to their national origins, place of birth, migration trajectories and location in which they perform their music. In particular, the article will focus on how perceptions of musicians' national and post-migrant identities vary according to their location on either side of the Channel but also according to how the musicians themselves choose to present their music, depending on whether they are based in France or Britain. In addition to the individual strategies adopted by musicians, the article also considers how the shifting socio-political contexts in post-9/11 France and Britain have affected the choices and opportunities available to artists of North African origin in both national contexts. Cet article examine les multiples manières dont les musiciens d'origine maghrébinequ'ils soient nés au Maghreb ou en France et vivant en France et en Grande-Bretagne-définissent leurs identités musicales et artistiques en fonction de leurs origines nationales, leurs pays de naissance, leurs parcours migratoires et les lieux où ils créent de la musique. En particulier, l'article aborde la question de la perception des identités nationales et post-migratoires des musiciens et la manière dont celle-ci dépend de l'ancrage en France ou en Grande-Bretagne mais aussi des volontés subjectives des musiciens eux-mêmes. Au-delà d'une discussion des stratégies individuelles adoptées par les musiciens, l'article considère les bouleversements socio-politiques en France et en Grande-Bretagne depuis les attentats du 11 septembre 2001 et la manière dont les choix et les opportunités proposés aux musiciens maghrébins dans les deux contextes ont évolué.

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confidence: 99%

Artistic identities and professional strategies: Francophone musicians in France and Britain

Gibert

Kiwan

2016

Modern & Contemporary France

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Managing the media, the music and 'métissage': compromise in the music of Faudel and Magyd Cherfi

Sutcliffe

2011

Contemporary French Civilization

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Le bruit et l'odeur… du succès? Contestation et contradictions dans le rock métis de Zebda

Cited by 2 publications

References 6 publications

Artistic identities and professional strategies: Francophone musicians in France and Britain

Artistic identities and professional strategies: Francophone musicians in France and Britain

Managing the media, the music and 'métissage': compromise in the music of Faudel and Magyd Cherfi

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