Since 2001, several indicators of religiosity in Quebec show a loss of the dominant configuration of cultural Catholicism since the 1960s. The arrival of new generations is one of the causes of this transformation. A new regime of religiosity is at stake, of which the rise of the non-religious is one of the visible manifestations. But this is only one pole. At the other end of the spectrum are also strongly committed and churchgoers Catholics, with an assumed and asserted religious identity. The life stories of these new “virtuosos”, collected as part of a research project on cultural Catholicism in Quebec, reveal the contours of this reshaping and its narrative framework. By describing and analyzing it, this article seeks to grasp what this figure of the virtuoso tells us about contemporary Quebec Catholicism. In this context, a new form of Catholic religiosity centered on feeling is emerging.